Michael Jones has updated his groundbreaking book on Art Law, covering an expanded perspective on intellectual property rights in the digital age, and accounting for evolving ideas centered on diversity, equity and inclusion. He explores the challenges fueled by the global marketplace and the diverse ways in which art is made, valued, and experienced. This updated version serves as a necessary guide to understanding the complex legal issues and rights of artists and those who inhabit the art world.

Allan L. Edmunds, Founder-President Emeritus of Brandywine Workshop and Archive

Michael E. Jones' 2nd edition of Art Law is a exceptional resource that is essential for every gallerist, appraiser, auctioneer, and collector. In an ever-evolving art world, it is crucial to stay informed about the latest laws and regulations that affect purchases, sales, and consignments. This is especially important now, with the rise of digital and virtual art, NFTs, smart contracts, and artificial intelligence generated art in the marketplace all covered superbly in his comprehensive text.

James Bakker, President of James R. Bakker Antiques, Inc., Bakker Gallery and Auctions

This comprehensive guide to art law written in a clear and concise manner serves multiple audiences from the artist to the art appraiser to the museum professional. Jones’s exceptional book is a valuable resource for the museum community by providing guidance on topics such as copyright law, authentication, provenance, and the legal responsibilities of museums and their trustees.

Katherine Burton Jones, Director of the Graduate Program in Museum Studies, Harvard University

Professor Michael E. Jones’s Art Law 2nd edition is a superbly instructive guidebook for all stakeholders in the world of fine arts, including artists, curators, museum and art teachers, cultural advisors, gallery dealers, auction houses, art and diversity specialists.

Susel Garcia Castellanos, Director of ADAVIS and National Council of Plastic Arts

Here is an invaluable and compelling canvas of insights on the palette of current art law. The book offers a blue-chip gallery guide and experience of the current legal labyrinth; it provides historical and contemporary factual narratives that illuminate gray areas and renders, in high detail, necessary guiding principles that inform on the full spectrum of inherent challenges and changes active on the surface of today’s art scene and populace.

Patrick McCay, Former Chair of Fine Arts and Faculty Fellow