“Shukaitis's project is further distinguished by his emphasis on using avant-garde artistic practices as a means of mobilizing labor’s autonomy within deterritorialized capitalist spaces. [T]his is where the drift of his research moves into high gear.”

Critical Inquiry

Stevphen Shukaitis's new book makes a forcible and compelling contribution to a rejuvenated discussion on avant-garde art and politics. . . .This is much to appreciate in Shukaitis's book. . . .[It is] a strategic vision, and Shukaitis's Dada games and partisan misdirection make for a spirited experiment in pataphysical writing in the context of the real subsumption of labor.

Afterimage

With The Composition of Movements to Come Stevphen Shukaitis does again what he has been doing as an author and editor for years: pushing the boundaries of intellectual and activist thought on the Left. By insisting that culture be understood strategically, rather than merely employed tactically, Shukaitis has unlocked the secret of an affective and effective artistic activism for our times. Brilliant and useful.

Stephen Duncombe, New York University; Co-Director, Center for Artistic Activism

I was convinced it was impossible to say something new about politics and the avant-garde, and I really enjoyed being proved wrong in so many different ways.

David Graeber, Professor of Anthropology, London School of Economics

Stevphen Shukaitis has produced an exposition on the strategic – as opposed to purely tactical – possibilities immanent within the post-war avant-garde that is as beautiful as the chance meeting of Autonomous Marxism and the Situationist International on the dissecting-table of critical theory.

Gregory Sholette, author of Dark Matter, Delirium and Resistance, and the Art of Activism and the Activism of Art

Can strategy emerge from out of the diverse, fragmentary and temporary tactics of contemporary social movements? In this important book, which offers telling historical perspectives and is at the same time forged in the practice of political opposition, Stevphen Shukaitis offers a sustained argument that it can, and that it should.

Julian Stallabrass, Courtauld Institute of Art