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Description

Dark Forces at Work examines the role of race, class, gender, religion, and the economy as they are portrayed in, and help construct, horror narratives across a range of films and eras. These larger social forces not only create the context for our cinematic horrors, but serve as connective tissue between fantasy and lived reality, as well.



While several of the essays focus on “name” horror films such as IT, Get Out, Hellraiser, and Don’t Breathe, the collection also features essays focused on horror films produced in Asia, Europe, and Latin America, and on American classic thrillers such as Alfred Hitchcock’s Psycho. Key social issues addressed include the war on terror, poverty, the housing crisis, and the Time’s Up movement. The volume grounds its analysis in the films, rather than theory, in order to explore the ways in which institutions, identities, and ideologies work within the horror genre.

Table of Contents

Introduction



Part I. National Identity: Haunting the Homeland



Chapter One: Ringing Home, Missed Calls, and Unbroken Land-lines: Domestication of, and Miscommunication in, K- and J- Horror

Rea Amit



Chapter Two: Redefining the Heimat: Austrian Horror Cinema and the “Home” in a Global Age

Michael Fuchs



Chapter Three: Korean National Trauma and the Myth of Hypermasculinity in The Wailing (2016)

Luisa Koo



Chapter Four: The Witch, the Wolf, and the Monster: Monstrous Bodies and Empire in Penny Dreadful

Allyson Marino



Part II. Market Forces and Their Monsters



Chapter Five: Recession Horror: The Haunted Housing Crisis in Contemporary Fiction

Lindsey Michael Banco



Chapter Six: Classism and Horror in the Seventies: The Rural Dweller as a Monster

Erika Tiburcio Moreno



Chapter Seven: All Against All: Dystopia, Dark Forces, and Hobbesian Anarchy in the Purge Films

A. Bowdoin Van Riper



Chapter Eight: Motor City Gothic: White Youth and Economic Anxiety in It Follows and Don’t Breathe

Russell Meeuf and Benjamin James



Part III. Ideology: You Just Have to Believe



Chapter Nine: Gothic Neoliberalism in 1980s British Horror Cinema

Fernando Gabriel Pagnoni Berns, Juan Juvé, and Emiliano Aguilar



Chapter Ten: Infringing on Cycles of Oppression: Artisanal Bricolage and Synthesis in Mumblegore

Brandon Niezgoda



Chapter Eleven: Faith as Confinement: Alejandro Amenábar’s The Others (2004)

Maria Gil Poisa



Part IV. History Never Dies



Chapter Twelve: The Pursuit of Certainty: Legends and Local Knowledge in Candyman

Cynthia J. Miller



Chapter Thirteen: “Nothing Is What It Seems”: Montage and Misread Histories in Nicolas Roeg’s Don’t Look Now (1973)

Thomas Prasch



Chapter Fourteen: “Tens of Thousands of Men Died Here”: Desire, Revenge, and Memories of War in Edgar G. Ulmer’s The Black Cat

James J. Ward



Chapter Fifteen: Peril, Imprisonment, and the Power of Place in Jordan Peele’s Get Out

Michael C. Reiff



Part V. The Horrors of Place



Chapter Sixteen: The Hovel Condemned: The Environmental Psychology of Place in Horror

Jacqueline Morrill



Chapter Seventeen: Coming Home to Horror: Stephen King’s Derry and Castle Rock

Alissa Burger



Chapter Eighteen: It Follows and the Uncertainties of the Middle Class

Katherine Lizza



Chapter Nineteen: “We’re all in our private traps”: Reconfiguring Suburbia’s Protective Borders in Psycho (1960)

Kevin Thomas McKenna

Product details

Published 18 Apr 2023
Format Paperback
Edition 1st
Extent 348
ISBN 9781498588577
Imprint Lexington Books
Illustrations 29 b/w photos;
Dimensions 226 x 155 mm
Series Research in Horror Studies
Publisher Bloomsbury Publishing

About the contributors

Anthology Editor

Cynthia J. Miller

Anthology Editor

A. Bowdoin Van Riper

Contributor

Rea Amit

Contributor

Fernando Gabriel Pagnoni Berns

Fernando Gabriel Pagnoni Berns is Professor in the…

Contributor

Alissa Burger

Contributor

Michael Fuchs

Contributor

Benjamin James

Contributor

Juan Juvé

Contributor

Katherine Lizza

Contributor

Allyson Marino

Contributor

Russell Meeuf

Contributor

Maria Gil Poisa

Contributor

Thomas Prasch

Contributor

James J. Ward

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