General Introduction
PART 1: CONCEPTUALIZATION
Introduction
1. Richard Buchanan, "Branzi's Dilemma: Design in Contemporary Culture" 14.1 (Spring 1998): 3-20
2. Massimo Negrotti, "Designing the Artificial: An Interdisciplinary Study" 17:2 (Spring 2001): 4-16
3. Wolfgang Jonas, "A Scenario for Design" 17:2 (Spring 2001): 4-16
4. Albert Borgmann, "Information and Reality at the Turn of the Century," 11:2 (Summer 1995): 21-30
5. Ellen Mazur Thomson, "Thorstein Veblen at the University of Chicago and the Socialization of Aesthetics" 15:1 (Spring 1999): 3-15
6. John Maciulka, "Adolf Loos and the Aphoristic Style: Rhetorical Practice in Early Twentieth-Century Design Criticism" 16:2 (Summer 2000): 75-86
7. Peter Paul Verbeek and Petran Kockelkoren, "The Things that Matter" 14:3 (Autumn 1998): 28-42
8. Mika Pantzar, "Domestication of Everyday Life Technology: Dynamic Views on the Social Histories of Artifacts" 13:3 (Autumn 1997): 52-65
9. Medardo Chiapponi, "Environmental Design and Industrial Design: Integrating Knowledge around Urgent Issues" 14:3 (Autumn 1998): 74-84 Annotated Guide to Further Reading
PART 2: FABRICATION
Introduction
Section 1: The Design of Objects
Introduction
10. Dennis Doordan, "Simulated Seas: Exhibition Design in Contemporary Aquariums" 11:2 (Summer 1995) 3-10
11. Barry Katz, "The Arts of War: Visual Presentation and National Intelligence" 12:2 (summer 1996): 3-21
12. Sara Schneider, "'This is my Brain Book': Day Timers and Expedient Design" 12:2 Summer 1996: 40-46
13. Tomiko Thiel "The Design of the Connection Machine" 10:1 (Spring 1994): 5-18
14. Michael Punt, "Accidental Machines: The Impact of Popular Participation in Computer Technology" 14:1 (Spring 1998): 54-80
15. Loretta Staples, "Typography and the Screen: A Technical Chronology of Digital Typography, 1984-1997" 16:3 (Autumn 2000): 19-34
Section 2: Material and Immaterial Things
Introduction
16. Raimonda Riccini, "History from Things: Notes on the History of Industrial Design" 14:3 (Autumn 1998): 43-64
17. Nigel Whiteley, "Olympus and the Marketplace: Reyner Banham and Design Criticism" 13:2 (Summer 1997): 24-35
18. Giovanni Anceschi, "Visibility in Progress" 12:3 (Autumn 1996): 3-13
19. Peter Lloyd and Jerry Busby, "Softening Up the Facts: Engineers in Design Meetings" 17:3 (Summer 2001): 67-82
20. Tony Golsby-Smith, "Fourth Order Design: A Practical Perspective" 12:1 (Spring 1996): 5-25 Annotated Guide to Further Reading
PART 3: EVALUATION
Introduction
20. Ann Tyler, "It's a Nice World After All: The Vision of Difference in Colors" 12:3 (Autumn 1996): 60-76
21. Ezio Manzini, "Design, Environment, and Social Quality: From 'Existenzminimum' to 'Quality Maximum'" 10:1 (spring 1994); 37-43
22. John Hirst, "Values in Design: Existenzminimum, Maximum Quality, and Optimal Balance" 12:1 (Spring 1996): 38-47
23. Paul Betts, "Science, Semiotics, and Society: The Ulm Hochschule für Gestaltung in Retrospect" 14:2 (Summer 1998): 67-82
24. Pauline Madge, "Ecological Design: A New Critique" 13: 2 (Summer 1997): 44-54
25. David Stairs, "Biophilia and Technophilia: Examining the Nature/Culture Split in Design Theory" 13:3 (Autumn 1997): 37-44
26. Alain Findeli, "Ethics, Aesthetics, and Design" 10:2 (Summer 1994): 49-68
Annotated Guide to Further Reading
Consolidated Bibliography
Index