Chapter 1. Contextualizing Akachi Adimora-Ezeigbo’s Snail-Sense Theory as Africa’s Quintessential Archetype of Feminism
Chapter 2. What Has a Snail Got to Do with It? Ezeigbo’s Snail-Sense Feminism as A Critical Reading Tool for Her Two Plays
Chapter 3. “Wetin You Fit Do?” Lessons of Resistance and Self-Assertion in Akachi Adimora-Ezeigbo’s Hands That Crush Stone, Barmaid and The Witches of Izunga
Chapter 4. Negotiating Spaces, Crossing Borders: Public/Private Spheres in Adimora-Ezeigbo’s The Last of the Strong Ones
Chapter 5. Telling Herstories: (Re) Creating the Strong Ones in Nigerian Women’s Writing
Chapter 6. On Intertextual Conversations: Images of the Igbo World in Akachi Adimora-Ezeigbo’s The Last of the Strong Ones and Chinua Achebe’s Things Fall Apart
Chapter 7. You are Not a Woman: Barrenness and Rejection in Akachi Adimora-Ezeigbo’s The Last of theStrong Ones
Chapter 8. Sisters in the Struggle: Women’s Resistance in Akachi Adimora Ezeigbo’s Trafficked and Chika Unigwe’s On Black Sisters Street
Chapter 9. Akachi Adimora-Ezeigbo: Her Significance as Poet
Chapter 10. Masquerading the Woman in Akachi Adimora-Ezeigbo’s Heart Songs
Chapter 11. The Development and Significance of Akachi Adimora-Ezeigbo’s Poetry
Chapter 12. From History to Story: Love and Loss in Roses and Bullets
Chapter 13. Roses and Bullets: Intimate Violence in the Biafran Heartland
Chapter 14. Love Under Seige: Nuptial Contradictions in Akachi Adimora-Ezeigbo’s Roses and Bullets and Chimamanda Ngozi Adichie’s Half of a Yellow Sun
Chapter 15. Pellets of Pain: The Changing Times in Akachi Adimora-Ezeigbo’s Roses and Bullets