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Description

The Handmaid's Tale: Teaching Dystopia, Feminism, and Resistance across Disciplines and Borders offers an interdisciplinary analysis of how Margaret Atwood's The Handmaid's Tale, as well as its film and television adaptations, can be employed across different academic fields in high school, college and university classrooms. Scholars from a variety of disciplines and cultural contexts contribute to wide-ranging analytical strategies, ranging from religion and science to the role of journalism in democracy, while still embracing gender studies in a broader methodological and theoretical framework. The volume examines both the formal and stylistic ways in which Atwood's classic work and its adaptations can be brought to life in the classroom through different lenses and pedagogies.

Table of Contents

Chapter 1: The Handmaid’s Tale as a Teaching Tool for Engaging Students in Colonial American History and Puritanism

Chapter 2: Translation and Adaptation Matters: About the Differences Between a Story Called The Handmaid’s Tale or The Slave-girl’s Tale?

Chapter 3:Jezebel’s: Sex and Marriage in Early Christian Theology

Chapter 4:Literary Narration, Complicity, and Political Dystopia in Margaret Atwood’s The Handmaid’s Tale

Chapter 5: "You don't know what we had to go through:" Feminist Generations in The Handmaid's Tale

Chapter 6: “Don’t Let the Bastards Grind you Down”—Again: Returning to The Handmaid’s Tale

Chapter 7:Consent, Power, and Sexual Assault in The Handmaid’s Tale: Handmaids, Sexual Slavery and Victim Blaming

Chapter 8:Advancing Student Understanding of Rape Culture: The Handmaid’s Tale as a Tool in the Primary Prevention of Sexual Assault on College Campuses

Chapter 9:Fertility and Fetal Containers: Science, Religion, and The Handmaid’s Tale

Chapter 10: “I’m Ravenous for News”: Using The Handmaid’s Tale to Explore the Role of Journalism

Chapter 11: Women’s Health in The Handmaid’s Tale and the Marginalization of Women

Chapter 12: Resist!: Racism and Sexism in The Handmaid’s Tale

Chapter 13: Erasing Race in The Handmaid’s Tale

Chapter 14: Women, Complicity and The Handmaid's Tale

Chapter 15:“Discards, All of Us”: Representations of Age in The Handmaid’s Tale



Chapter 16: No Light Without Shadow: The Question of Realism in Volker Schlöndorff’s The

Handmaid’s Tale and Hulu’s TV Series

Chapter 17: Shifting Perspectives and Re-accentuation: Adapting The Handmaid’s Tale as Film in 1990 and as a Hulu TV Series in 2017/2018

Chapter 18: The Handmaid’s Tale: The Optics of Dystopia

Chapter 19: Offred’s Journey Through Gilead: Subverting Oppositional Discourse Through First Person Performed Narrative

Chapter 20: The Artist and Her Art: An Examination of Elisabeth Moss as Peggy Olson and June Osborne through a Feminist Lens

Chapter 21: ‘The Magical Land of the North’: Anti-Americanism and Canadian Identity within The Handmaid’s Tale

Chapter 22:Suffering Motherhood and Woman’s Empowerment: Comparing Metropolis (1927) and The Handmaid’s Tale (2017)

Chapter 23: ‘Topia’ Extended: “Historical” Judgment of The Handmaid’s Tale

Product details

Published 06 Jun 2019
Format Hardback
Edition 1st
Extent 328
ISBN 9781498589147
Imprint Lexington Books
Illustrations 10 b/w photos;
Dimensions 232 x 158 mm
Publisher Bloomsbury Publishing

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