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London, 1938. Nandor Fodor - a Jewish Hungarian refugee and chief ghost hunter for the Institute of Psychical Research - reads of the case of thirty-four-year-old Alma Fielding, a housewife in South London plagued by a poltergeist, and hastens to the scene of the haunting.
This unassuming suburban woman has become the eye of a storm of chaos; in her modest home, china flies off the shelves, eggs fly through the air; stolen jewellery appears on her fingers, white mice crawl out of her handbag, and beetles appear from under her gloves; a terrapin materialises on her lap in the middle of a car journey.
But, as Fodor discovers when he assumes his scrupulous investigation, the case is even stranger than the sum of its parts. As the spectre of Fascism lengthens and darkens over Europe, Fodor unravels the peculiar case of Alma Fielding, and finds a different and darker type of haunting: trauma, difference, loss.
With rigour, profundity and insight, the award-winning Kate Summerscale delves into the notorious and extraordinary and unearths the vivid and the human.
Published | 01 Dec 2020 |
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Format | Hardback |
Edition | 1st |
Extent | 368 |
ISBN | 9781408895450 |
Imprint | Bloomsbury Publishing |
Dimensions | 216 x 135 mm |
Publisher | Bloomsbury Publishing |
Praise for Kate Summerscale: I'm all admiration: she has turned a sepia photograph, curling and tattered, into a film that runs through the mind in glorious and unimpeachable Technicolor
Rachel Cooke, Observer
Summerscale's brilliance lies not only in recognising the power of a particular story, but in charting, with beautiful precision, its strange echoes and reverberations
Craig Brown, Mail on Sunday
No other writer could have made the case so fascinating and so vivid ... It would be impossible to read this dry-eyed
Cressida Connolly, Spectator
An extraordinary book which will stay with you
Daily Express
Gripping... Summerscale is an exquisite storyteller. She is judicious in her use of detail, subtle in her unspoken connections between the past and the present
Daisy Goodwin, The Times
The finest documentary writing
John le Carré
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