Hollywood Hybrids

Mixing Genres in Contemporary Films

  • Textbook
Hollywood Hybrids cover

Hollywood Hybrids

Mixing Genres in Contemporary Films

  • Textbook
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Description

'He wanted to move in and out of the various signature styles of all these genres_Western, melodrama, thriller, horror,' said cinematographer Robert Richardson of Quentin Tarantino's goals in making Kill Bill: Vols. 1 & 2. Through close readings of work by major U.S. filmmakers such as Tarantino, David Lynch, Errol Morris, Todd Haynes, and Joel and Ethan Coen, Hollywood Hybrids studies provocative, disorienting strategies of genre mixing in contemporary cinema. The book also investigates foreign parallels to U.S. hybrid cinema in films by such directors as Pedro Almod-var (Spain) and Stephen Chow (Hong Kong). Rather than explore genre primarily from the standpoint of movie critics, producers, marketers, and spectators, Hollywood Hybrids focuses on genre mixing as a key creative interest motivating celebrated filmmakers. The book thus relates genre to auteur theory. Hollywood Hybrids also links recent hybrid cinema to earlier instances of hybrid form in film and other arts, including painting, music, literature, and architecture. The book concludes that hybrid films allude not only to multiple films and genres, but also to hybrid features of consciousness and identity that increasingly heighten as well as complicate human experience.

Table of Contents

Chapter 1 Introduction
Chapter 2 1 Fact and Fiction
Chapter 3 2 Gangster and Warrior
Chapter 4 3 Melodrama and Teen Romance
Chapter 5 4 Tragicomic Accidents
Chapter 6 5 Global Parallels
Chapter 7 Bibliography
Chapter 8 Selected Filmography

Product details

Published 29 Oct 2007
Format Hardback
Edition 1st
Extent 192
ISBN 9780742539501
Imprint Rowman & Littlefield Publishers
Dimensions 239 x 162 mm
Series Genre and Beyond: A Film Studies Series
Publisher Bloomsbury Publishing

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