This ambitious volume questions the nature of religion and secularity in relation to and embodied by the figure of the monster, addressing gaps in current conversation both in its attention to the sacred, and in its range from the medieval to the modern.

Dana M. Oswald, University of Wisconsin-Parkside

Grotesques andcynocephali, hermaphrodites and the headless horsemen. This daring and eclectic bestiary expands the way we think about the function of monsters and the nature of monstrosity.

Joseph P. Laycock, Texas State University

Heyes’ cadre of burgeoning and seasoned academics in English, the Humanities, History, Art History, Religion, and Medieval Studies offers lucidly written studies at the intersections of the sacred and the horrific with an eye for both the scholar and general public. Explorations of modern monstrosity and religiosity, monstrous wombs, hermaphrodites, architectural grotesqueries in sacred spaces, Catholic monstrosity in antebellum America fiction, as well as more recent forays into the sacred monstrous with H. P. Lovecraft, Buffy the Vampire Slayer (1997–2003), and Sleepy Hollow (2013–2017), together comprise a volume that is intellectually invaluable and much needed for the niche it fills.

John Edgar Browning, Georgia Institute of Technology

This wide-ranging collection brings together numerous cutting-edge essays on the rapidly growing field of Monster Studies. Drawing from the work of noted academics, this engaging anthology covers an eclectic range from Shakespeare to Buffy the Vampire Slayer. In providing thoughtful analysis of traditional and contemporary materials from a variety of critical approaches, this represents an important contribution.

Peter J. Dendle, Pennsylvania State University, Mont Alto