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Description
From the prize-winning author of In the Place of Fallen Leaves comes a beautiful, hypnotic pastoral novel reminiscent of Thomas Hardy, about an unexpected friendship between two children, set in Devon in 1911
1911. In a forgotten valley on the Devon–Somerset border, the seasons unfold, marked only by the rituals of the farming calendar. Twelve-year-old Leopold Sercombe skips school to help his father, a carter. Skinny and pale, Leo dreams of a job on the estate's stud farm. He is breaking a colt for his father when a boy dressed in a Homburg, breeches and riding boots appears. Peering under the stranger's hat, he discovers Miss Charlotte, the Master's daughter. And so begins a friendship between the children, bound by a deep love of horses, but divided by rigid social boundaries – boundaries that become increasingly difficult to navigate as they approach adolescence.
Product details
Published | 12 Jan 2017 |
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Format | Ebook (Epub & Mobi) |
Edition | 1st |
Extent | 320 |
ISBN | 9781408876893 |
Imprint | Bloomsbury Paperbacks |
Series | The West Country Trilogy |
Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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This is it. This is the real thing. This is whatever I mean by the work of a born writer … The novel is comic, and wry, and elegiac, and shrewd and thoughtful all at once. Please read it'
A. S. Byatt, Daily Telegraph on In the Place of Fallen Leaves
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Too subtle to be sentimental, too well written to be obvious. The author is a gifted storyteller, steeped in country lore and the beauty of ordinary events. Like Thomas Hardy whose kindred spirit quietly animates these pages, he is concerned with the dignity of work, the force of destiny and the consequences of human passion
New York Times Book Review
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Highly atmospheric … It has an intoxicating, magical quality which completely beguiled me
Jeremy Paxman, Independent
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The writing is so genuine. Nothing is posturing or romanticised … There's so much talent here
Barbara Trapido
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An unusually well-made novel which, through being less English than one would expect, produces a very English kind of magic
Giles Foden, Independent on Sunday
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Refreshing … even revelatory … A work that is dense with detail and richly evocative … A very impressive performance
Jane Smiley