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Iambic Ideas, explores the concept of the "iambic" as a genre. In a set of detailed studies, the contributors examine, across time, the idea of iambic through a wide variety of cultural settings-Greek, Hellenistic, Roman, and late antiquity. What emerges most clearly is that the "iambic idea" is impossible to define in absolute terms: rather, the form of iambic keeps varying in response to a vast variety of historical contingencies. The variation is evident in such critical terms as the "iambic tendency" in Sappho, the "reusing of iambi" for Roman epodes, and even the instances of "iambic absence" in comedy and other such related forms. In the end, what is most characteristic about the "iambic" is its own inherent variability.
Published | 16 Nov 2001 |
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Format | Paperback |
Edition | 1st |
Extent | 278 |
ISBN | 9780742508170 |
Imprint | Rowman & Littlefield Publishers |
Dimensions | 228 x 150 mm |
Series | Greek Studies: Interdisciplinary Approaches |
Publisher | Bloomsbury Publishing |
With its judicious sampling of topics, each developed in impressive detail, Iambic Ideas itself rates as a perfectly brilliant idea. The book provides a much-needed sense of 'iambic' as a self-standing generic enterprise within the literatures of Greece and Rome, poetry that both writes and plays by its own rules. The book is thus a first of its kind, and fundamental to the study of verse invective in antiquity.
Kirk Freudenburg, Ohio State University
The collection is strong and provocative in both its breadth and its depth. Iambic Ideas is nicely produced, organized, and balanced.
Bryn Mawr Classical Review
Iambic Ideas offers a rich selection of essays from a range of international experts...Each contribution is of considerable value on its own merits, and the collection as a whole reveals both the coherence and the diversity of the 'genre.'
Greek and Rome, Oxford Academic Journals
The collection as a whole is useful and important.
Journal Of Roman Studies
Iambic Ideas is a must read for anyone interested in Greek and Roman poetry. These twelve thought-provoking essays are constructed to move beyond formal generic classifications and to focus on the broader continuities, interactions, and significance of the iambic impulse from the archaic to late antique. The temporal span of these essays enables the readers to gain access to material that might otherwise be unfamiliar and allows for a far richer understanding of poetic processes in play.
Susan Stephens, Stanford University
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