Bloomsbury Home
- Home
- ACADEMIC
- Literary Studies
- Modernism
- Italian Futurism and the Development of English Literary Modernism
Italian Futurism and the Development of English Literary Modernism
Payment for this pre-order will be taken when the item becomes available
You must sign in to add this item to your wishlist. Please sign in or create an account
Description
Revisiting the place of Italian Futurism in English literary modernism, this book draws on a range of overlooked historical and archival sources to reassess how English writers engaged with Futurist ideas. It suggests that Futurism offered a compelling response to a cultural tension that had emerged in the late nineteenth century-the growing separation between art and life-and considers how English modernists adapted aspects of Futurist thought in order to navigate and reshape fin-de-siècle cultural discourses.
It begins with an analysis of Italian Futurism's transnational affiliations, its position in the European cultural field, and a reassessment of its reception in England, and goes on to re-evaluate three key modernist figures: the Poetry Bookshop proprietor and editor Harold Monro; the Vorticist impresario Wyndham Lewis; and the poet and artist Mina Loy. In doing so, this study not only offers an expanded account of the Futurist movement in England and Anglophone contexts, but also contributes to ongoing efforts to develop a more interconnected and nuanced understanding of early modernist historiography.
Table of Contents
Series Editors' Preface
Acknowledgements
Introduction
1 . An Imagined Community: Futurism in England
2 .'The Beautiful Future': Harold Monro, Poetry and Drama, and Futurism
3. 'A Futurism of Place': Wyndham Lewis's Vorticism between Aestheticism and Futurism
4. 'The Pseudo Futurist': Mina Loy, Futurist Intuition, and Cultural Capital
Coda
Product details

Published | 13 Nov 2025 |
---|---|
Format | Ebook (PDF) |
Edition | 1st |
Extent | 240 |
ISBN | 9781350327696 |
Imprint | Bloomsbury Academic |
Illustrations | 4 bw illus |
Series | Historicizing Modernism |
Publisher | Bloomsbury Publishing |
About the contributors
Reviews
-
This superb new account of Futurism traces the impact of the avant-garde Italian movement upon Anglophone modernism. In a series of richly researched chapters on Harold Monro, Wyndham Lewis, and Mina Loy, the book provides the most comprehensive cultural history of Futurism in Britain yet, demonstrating how many writers welcomed the Futurist desire to bridge the divide between art and life as a counter to British national decline and decadence in art. The book benefits from extensive research into archives and periodicals to bring some brilliant new insights into how Futurism was received. This is a book that will thoroughly revise our understanding of Futurism and of modernism in Britain.
Andrew Thacker, Professor of English Literature, Nottingham Trent University, UK