In its focus on networks of musicians and supporting institutions in Europe, José Dias's book is a unique contribution to jazz studies. Using ethnographic methods and drawing on his own extensive connections forged as a musician and researcher, Dias touches some of the central themes of 'The European Project,' such as whether there exists a European cultural identity. At the same time, the book offers a skillful critique of received narratives that have tended to view jazz as an American import. Supported by engaged dialogue with interlocutors, it is a timely intervention into broadly relevant debates.

Frederick Moehn, Senior Lecturer of Music, King's College London, UK

This remarkable work offers a great deal to consider for students of jazz, of musical scenes and of the culture at large in the context of late capitalism. It is theoretically savvy at the same time as it documents peripheral – but in every sense important – music making in contemporary Europe. Highly recommended.

Gabriel Solis, Chair and Professor of Musicology, University of Illinois at Urbana-Champaign, USA