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Description
Few twentieth-century artists are renowned in such a variety of media as Orson Welles. Well known for his work in film and theater as director, actor, and writer, Welles's influence in the field of radio has often been overlooked for the more glamorous entertainment of his movies. The Medium and the Magician is a comprehensive review of Welles's radio career, devoted to assessing his radio artistry and influence in the field. Paul Heyer offers a new look at the infamous War of the Worlds panic broadcast and a discussion of how Welles's use of sound in radio influenced his motion pictures.
Table of Contents
Chapter 2 Introduction: A Man for All Media
Part 3 Part I: The Road to CBS
Chapter 4 1 A Voice is Born
Chapter 5 2 Theatrical Notoriety, Radio Anonymity
Chapter 6 3 Mercury Theatre on the Air
Part 7 Part II: Mercury Does Mars: The Panic Broadcast
Chapter 8 4 Genesis
Chapter 9 5 Exodus
Chapter 10 6 Revelation
Part 11 Part III: The Sound in the Fury
Chapter 12 7 Campbell Playhouse
Chapter 13 8 Orson at RKO
Chapter 14 9 The Last Radio Shows
Chapter 15 Epilogue
Chapter 16 Selected Radiography
Chapter 17 Notes
Chapter 18 Bibliography
Product details
Published | 24 Jan 2005 |
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Format | Ebook (Epub & Mobi) |
Edition | 1st |
Extent | 272 |
ISBN | 9781461665793 |
Imprint | Rowman & Littlefield Publishers |
Series | Critical Media Studies: Institutions, Politics, and Culture |
Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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A very insightful window into a creative period that was all too short.
Communication Booknotes Quarterly
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Heyer's brilliance in developing this book is based on formidable research into Welles' creative output, interviews, books, papers, studies, and transcripts of every aspect or person that entered Welles's career.... Impressive
Anne Leighton, H-Net: Humanities and Social Science Reviews Online
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At last Orson Welles's radio work gets the attention it deserves! Paul Heyer makes the compelling case that Welles should be regarded as a formidable creative force in radio as much as he is in film and theater, backing it up with impressive research and a lively, engaging writing style. This fascinating study sheds light not just on Welles's work generally, but on U.S. radio history and the emergence of sound as an art form.
Michele Hilmes, author of Radio Voices: American Broadcasting, 1922-1952