Nabokov's Mimicry of Freud

Art as Science

Nabokov's Mimicry of Freud cover

Nabokov's Mimicry of Freud

Art as Science

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Description

In Nabokov’s Mimicry of Freud: Art as Science, Teckyoung Kwon examines the manner in which Nabokov invited his readers to engage in his ongoing battle against psychoanalysis. Kwon looks at Nabokov’s use of literary devices that draw upon psychology and biology, characters that either imitate Freud or Nabokov in behavior or thought, and Jamesian concepts of time, memory, and consciousness in The Defense, Despair, Lolita, Pale Fire, and Ada. As Kwon notes, the transfiguration of biological mimicry and memory into an artistic form involves numerous components, including resemblance with a difference, contingency, the double, riddles, games, play, theatricality, transgression, metamorphosis, and combinational concoction. Nabokov, as a mimic, functions as a poet who is also a scientist, while his model, Freud, operates as a scientist who is also a poet. Both writers were gifted humorists, regarding art as a formidable vehicle for the repudiation of all forms of totality. This book is recommended for scholars of psychology, literary studies, film studies, and philosophy.

Table of Contents

1. Introduction
2. Mimicry as a Form of Art
3. Memory as a Form of Fiction
4. Dream is not for Analysis: The Luzhin Defense
5. The Criminal as an Artist: Despair
6. Lolita: Nabokov’s Memory War against Freud
7. Pale Fire: Analyze me if you can
8. Ada: In Opposition to the Incest Taboo
Conclusion

Product details

Published 30 May 2017
Format Ebook (Epub & Mobi)
Edition 1st
Extent 200
ISBN 9781498557610
Imprint Lexington Books
Publisher Bloomsbury Publishing

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