With a new appreciation inspired by Schwartz’s writing, I listened to Gershwin and played his songs on the piano non-stop for at least a week after reading it. Any author whose work can elicit that type of newfound enthusiasm is no slouch. . . . The crowning glory of this book is its appeal to professional and amateur alike; it is written a manner that is both accessible and informative for anybody who is interested in American music. Schwartz’s analyses of the works are quite helpful, as he includes recording timings to indicate important points on a recording, so you can follow the music without necessarily needing a printed score. For myself, I have a feeling I will be returning to this book for reference in the future. A great read.

Fanfare Magazine

With the words "populist" and "populism" gaining a more prominent place in everyday discussion, how refreshing to read Steve Schwartz’s well-crafted and insightful account of music’s populists. The distinct voices of eight American composers are explored in depth. Original, impassioned, and highly recommended.

Barbara Nissman, pianist

Steve Schwartz has written a wonderful book about eight populist composers who were trying to create a language that would appeal to a wide audience. The influence of these populists can still be heard, and Schwartz's book should be in every library in the land.

Donald Clarke, author, Penguin Encyclopedia of Popular Music; Wishing on the Moon: The Life and Times of Billie Holiday; The Rise and Fall of Popular Music; and All or Nothing at all: A Life of Frank Sinatra