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Paul Whiteman
Pioneer in American Music, 1890-1930, Volume 1
Paul Whiteman
Pioneer in American Music, 1890-1930, Volume 1
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Description
When Paul Whiteman, the best-known dance band leader of the flapper age, brought his entourage to town it was a big deal. Mayors met him at the train station and presented him with the key to the city, parades and throngs of cheering crowds escorted him to City Hall, and special luncheons were held in his honor. Eventually dubbed the "King of Jazz," Whiteman grew into one of the biggest promoters of players, singers, and arrangers of all times. Many well-known musicians got their first big boost in his band including Tommy and Jimmy Dorsey, Bing Crosby, Frank Trumbauer, Bix Beiderbecke, Johnny Mercer, Mildred Bailey, and Ferde Grofé.
When it came to jazz, Whiteman was a trailblazer. He invented "symphonic jazz" and gave the first performance of Gershwin's Rhapsody in Blue, one of the most enduringly popular of all jazz-influenced musical works of the 20th century. He perfected the one-nighter concert tours, traveling across the country by train, from city to city, with his unique brand of music. He was also the first to employ a special arranger to craft tailor-made charts to fit the Whiteman Orchestra's instrumentation and sound.
This is the first of a two-volume set that will serve as the definitive work on the life and music of this legendary jazz leader. Covering the early years from 1890 to 1930, the text will entertain and inform the reader about the exciting life of one of the major influencers of jazz music and also provide a nostalgic glimpse of what life was like during the Roaring Twenties.
Features:
· Day-by-day chronology 1890-1930
· Comprehensive discography of recordings 1920-1930
· Gallery of Whiteman's band members-alphabetical listing from 1918 to 1930 (includes birth and death dates)
· Detailed reference notes with biographical sketches of famous people
· Extensive bibliography and index, including index of songs
· Nearly 60 rare, black and white photos
Table of Contents
Chapter 2 Foreword
Chapter 3 Acknowledgments
Chapter 4 Introduction
Chapter 5 Paul Whiteman: Pioneer in American Music
Chapter 6 Chapter 1: "Don't Miss the Beat!"
Chapter 7 Chapter 2: "Jazz It Up! Jazz It Up!"
Chapter 8 Chapter 3: The Jazz Classique
Chapter 9 Chapter 4: Jazz in the Tearoom
Chapter 10 Chapter 5: Royal Engagement
Chapter 11 Chapter 6: Scandals on Broadway
Chapter 12 Chapter 7: The Prince of Wails
Chapter 13 Chapter 8: An Experiment in Modern Music
Chapter 14 Chapter 9: Rhapsody on the Road
Chapter 15 Chapter 10: Cross-Continental Concerts
Chapter 16 Chapter 11: Meet the Boys!
Chapter 17 Chapter 12: "Feed Me, I'll Do the Rest!"
Chapter 18 Chapter 13: A Triumphant Return
Chapter 19 Chapter 14: Paramount Productions
Chapter 20 Chapter 15: From Goldkette to Whiteman
Chapter 21 Chapter 16: A Recording Blitz
Chapter 22 Chapter 17: Over to Columbia
Chapter 23 Chapter 18: On the Old Gold Special
Chapter 24 Chapter 19: A Motion Picture Extravaganza
Chapter 25 Notes
Chapter 26 Gallery of Whiteman Musicians
Chapter 27 A Paul Whiteman Chronology: 1920-1930
Chapter 28 A Paul Whiteman Discography: 1920-1930
Chapter 29 Bibliography
Chapter 30 Index
Product details
Published | 24 Jun 2003 |
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Format | Ebook (Epub & Mobi) |
Edition | 1st |
Extent | 840 |
ISBN | 9781461670360 |
Imprint | Scarecrow Press |
Series | Studies in Jazz |
Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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Meticulously researched...
Just Jazz
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For anyone with an interest in Paul Whiteman, this book must surely be an essential purchase.
New Orleans Music
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...a long overdue biography of a long-maligned and neglected icon whose influence and generosity gave us so many of the musicians and singers we revere today....
Bing
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Rayno has written the definitive Whiteman biography....The book, which took nearly twenty years to write, is an exhaustive study of the man and his music....It is a most interesting book to read and a valuable reference for anyone interested in the music of that era. I look forward to reading volume two.
The Potomac River Jazz Club
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Though Rayno writes in the homemade prose style and with the uncritical enthusiasm of the hobbyist, there is nothing amateurish about his meticulous scholarship, and the facts he has so painstakingly assembled have cleared the way for a fully informed reconsideration of Whiteman's place in American music.
Terry Teachout, Spirituality and Practice
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Rayno describes [this book] as "a vigorous attempt to set the record straight." The attempt is unarguably successful.
Mississippi Rag