Takes us on a journey with a young offender door-to-door selling on a day release scheme. The hopping geography of the piece, in which the actor's feet seem to remember the dusty London streets, is a joy to watch. Leaping from place to place the boy's memories flow free, unlocking a true sense of self and eventually breaking the walls that bind him.

Daily Telegraph

Feels like the intersection of Beckett and Albee . . . A powerful and delicately calibrated performance

New York Times (Critics' Choice)

Harry Melling's one-man show . . . is a raw portrait of homelessness. . . . the script has a volatile poetry, reminiscent of the percussive lyricism of Kate Tempest.

Evening Standard

Melling's gripping play . . . What's remarkable about Melling's solo play . . . is the poetic verve he brings to this bleak slive of life: we are drawn into his character's stream of consciousness through a pungent mix of street vernacular and verse, the rhythm driving the tempo and illuminating this lost boy's vivid inner life. It's a style that has echoes of several Irish writers - particularly Beckett and Mark O'Rowe . . . this is an accomplished debut and a painfully moving study of what it feels like to have had none of life's essentials.

Financial Times

he [Melling] never lets his outcast's odyssey feel borrowed. . . . exciting, unique and memorable

The Times

Watch out: a serious talent is on the move.

Daily Mail