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The Post-9/11 Great American Novel
Fictional Perpetuations of White American Trauma and Islamophobia
The Post-9/11 Great American Novel
Fictional Perpetuations of White American Trauma and Islamophobia
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Description
A study of the confluences between liberal white Americans' trauma, their reverting to hyper-conservative Islamophobia, and Don DeLillo's call to American authors that they compose a new so-called 'Great American Novel' pluriverse in the wake of 9/11.
In December 2001, Don DeLillo urged American writers to create “the counternarrative” that would reclaim control of culture in a call for nation-rebuilding fiction that mirrors John William de Forest's original post-Civil War coinage of the term and concept of the “Great American Novel.” Through this conceptual framework, Sheheryar Sheikh examines four major post-9/11 works to demonstrate a concerted effort by these authors to address the “Muslim Question” in novels that feature and critique traumatized white Americans creating mechanisms with which to mitigate the trauma of 9/11 as it resurges at even the thought of Muslims existing in America after 9/11.
By looking at repression, appropriation, adversarial othering, and enforced secularization as they appear in Jonathan Safran Foer's Extremely Loud & Incredibly Close, John Updike's Terrorist, DeLillo's Falling Man, and Amy Waldman's The Submission, this study shows the iterations of “solutions” and the abandonment of these ideals by traumatized white liberals. While the original concept of the Great American Novel featured fluid and multifaceted explorations of the American Dream, The Post-9/11 Great American Novel shows how this renewed interest in creating nation-rebuilding texts threatened to stagnate and calcify this literary form. Specifically, because these texts primarily congeal around the occlusion of Muslims and Islam within and from the United States.
Table of Contents
Introduction: New Connections to the American Project in Early Post-9/11 Literature
1. Creating Monsters Out of Trauma: The Failed Repression of Muslims and Islam in Extremely Loud & Incredibly Close
2. Americanizing 9/11: Appropriating and Repurposing Islamic Signifiers in Don DeLillo's Falling Man
3. Losing Their Religion: Enforced Secularization in John Updike's Terrorist
4. Not Exceptional Enough: The Occlusion of Muslims and the Quran in Amy Waldman's The Submission
Conclusion: The Ultimate End, and the Limits of the Post-9/11 Great American Novel
Bibliography
Index
Product details

Published | 16 Oct 2025 |
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Format | Ebook (Epub & Mobi) |
Edition | 1st |
Extent | 240 |
ISBN | 9798765134429 |
Imprint | Bloomsbury Academic |
Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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This is a politically valuable account of how many post-9/11 American novels have contributed to prejudices towards Islam. An urgent and highly informed study of unconscious collusions with pervasive discourses.
Martin Randall, Senior Lecturer in Creative Arts, University of Gloucestershire, UK
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This is an outstanding and welcome re-evaluation of the early '9/11 novel'. Reading a set of key texts within the history and critical paradigm of the 'great American novel', Sheheryar B. Sheikh takes great care in illuminating the wider permutations of their ideological currents. Ultimately, The Post-9/11 Great American Novel, offers in-depth textual analysis and compelling new readings of these novels, as well as a range of insights into the mechanics of Islamophobia in the early 21st century.
Arin Keeble, Lecturer in English, Edinburgh Napier University, UK
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Sheheryar B. Sheikh's very persuasive work offers fresh observations on 'canonized' 9/11 novels and illustrates how this literary research continues to be a relevant discipline even a quarter of century later. This book provides urgently needed criticism on the us/them and good/evil binaries of post-9/11 discourse that still pervade our current times.
Sini Eikonsalo, Assistant Professor in English Literature, Metropolitan University Prague, Czechia, and author of "When everything is about 9/11: On reading contemporary fiction through 9/11 and the boundaries of the 9/11 novel"