Author Stephen King, despite his popularity, is largely derided in academic circles, typecast as a genre-fiction horror novelist. In this collection of essays concerning different philosophical views as they relate to King’s work, Held argues that horror is the perfect category in which philosophy can thrive because it forces readers to be aware of things hidden deep and dark within our basest selves. What we fear goes a long way toward defining us as people, and King has always been well known for tapping into these anxieties and exploiting them in his writing. It is refreshing to see King finally viewed through a scholarly lens, with pieces on topics such as reading The Dark Tower as a nihilistic text, using Carrie to discuss the definition of womanhood as 'Other' in a male-centric society, and Aristotelian friendship in The Body and Rita Hayworth and Shawshank Redemption. VERDICT King’s 'Constant Readers' will rejoice in this appreciation of their academically misaligned hero; students of philosophy, collegiate or casual, will also enjoy this text, giving them a familiar context to a field that can confuse the best of us.

Library Journal

A splendidly stimulating anthology that delves deep into the treasures of Stephen King's work and brings back riches we may not have noticed. Challenging and searching, these essays are fun to read too. Like all the best criticism, they send us back for a fresh look at the original.

Ramsey Campbell, author of The Grin of the Dark and The Kind Folk

The world around us is chock full of philosophical issues. So is the compelling fiction of Stephen King, which is part of its allure. The essays in this book raise those issues and discuss them well, often even brilliantly, using his stories to unearth major philosophical questions that all thoughtful people should pursue. Highly recommended for King fans and anyone interested in philosophy!

Tom Morris, bestselling author of If Aristotle Ran General Motors, The Stoic Art of Living, The Oasis Within

Stephen King’s work finally gets its philosophical due. Drawing on thinkers from Aristotle to Nietzsche, this book sheds light on complex issues like the nature of evil while revealing hidden depths of horror and insight.

William Irwin, King's College, Pennsylvania