Museum/cultural consultant Moses’s new work . . . is a riveting look at the backstory of what’s in the display cases at your local museum. The author profiles seven historic objects with checkered pasts—Gustav Klimt’s Adele Bloch-Bauer, which inspired the movie Woman in Gold; a Pearl S. Buck manuscript; a Lakota Ghost Dance shirt; a digital copy of an old radio interview; a naked mummy; and North Carolina’s copy of the Bill of Rights—and how they were recovered by original owners or cultural stewards. The author’s discussion of the complexity of the cases and ethics involved is thorough and her point clear: what was once viewed as rightful ownership by collectors and institutions is now, through a culturally sensitive lens, viewed as theft. VERDICT Recommended for art and history lovers, museumgoers, and those interested in collecting historical objects and art.

Library Journal

Moses, author of Lost in the Museum: Hidden Treasures and the Stories They Tell (2008), considers the provenance of seven cultural treasures including Klimt’s Portrait of Adele Bloch Bauer I (the subject of the film, Woman in Gold), a ceremonial Ghost Dance shirt from a victim of the 1890 massacre at Wounded Knee, the mummy of Rameses I, and a typed manuscript of Pearl Buck’s The Good Earth. She reflects on the ethical issues that arose when these 'objects with institutional pedigrees . . . were removed in some way, legal or not.' The stories of these objects range from the dramatic to the heartbreaking to the venal (one is an account of the theft of historical audio discs by an official at the National Archives). In the final chapter, Moses reflects on the moral and legal questions of, in her words, 'who owns—and who should own—the world’s cultural treasures.' Museum goers may never look at an exhibit in quite the same way after reading this impassioned and engaging work.

Booklist

There have been a spate of excellent books recently about the lost treasures of the Holocaust and Moses herself wanted to write about American museums returning the stolen artworks to their rightful owners. Turns out that even the museums who had returned stolen or looted art to its owners were reluctant to speak up as it raised questions about why they had the art to begin with. So Moses went a slightly different route and decided to try to track down a number of missing treasures – from paintings, to manuscripts, to mummies; in America, Europe and the Middle East. Readers follow along with Moses as she tracks down (or tries to track down) each artifact, meeting with the shady and underhanded and those determined to do the right thing. From outright robberies to the 'acquisition' of certain pieces taken from their country of origin to be 'proudly displayed' in an American on European collection. Moses is the real deal, with all the proper museum credential, but she’s also a hell of a writer and brings to mind Thomas Hoving and his splendid stories of shady museum dealings. Highly recommended.

The Books Lover's Best Friend

What comes strongly to mind when one has read this book is the sometime inhumanity of mankind, political scheming, overwhelming greed and the plain stupidity and arrogance of individuals who feel they can get away with their crooked behavior. This book is fast paced written by an author who is au fait with the world of archives, archivists, museums and the historical research needed for each subject. The preface is detailed; there are eight chapters each dealing with an individual 'Cultural Treasure', colour plates, sources, additional reading and an index. Perhaps there might be a future book on other treasures that have been stolen, smuggled and sold?

ImagineMag!: A South African Arts & Culture Magazine

[Stolen, Smuggled, Sold: On the Hunt for Cultural Treasures is] an interesting and well-written book which archive professionals in the UK and Ireland should consider reading.

Archives and Records: The Journal of the Archives and Records Association

Written like a true detective novel, Nancy Moses takes the reader on an informative trek though the high-stakes world of art crime and trafficking. She profiles the cases and actors who labor to profit from the illicit cultural property market and the detectives and agents that combat them.

Robert K. Wittman, retired FBI special agent, founder and former senior investigator, FBI National Art Crime Team, and author of the New York Times Best Seller Priceless: How I Went Undercover to Rescue the World's Stolen Treasures