Compelling first book … Holland presents a nuanced reading of contemporary literature's departure from postmodernism.

Twentieth-Century Literature

A fine and close analysis of several American novels written in the twenty-first century allowed her to grasp in them a resistance to the disaffected solipsism bred by the post-cultural culture of mediation and simulation and to anchor late postmodern fiction in a long humanist tradition respectful of individuals and communities.

American Book Review

Holland gives readers a new map of the contemporary novel that registers the landscape with more precision than any earlier scholar-cartographer has managed. Her sequence of finely-grained readings synthesizes the insights of poststructuralism with the urgent impulse toward real meaning and value in twenty-first century fiction, to describe a mobius-strip realism that emerges out of the matter of fiction and that characterizes fiction that matters.

Stephen J. Burn, Northern Michigan University, USA

Mary Holland's Succeeding Postmodernism offers a marvelously astute and insightful argument about what she calls a 'new humanism,' a re-assertion of values that matter and inform the struggles articulated in contemporary fictions. Far from naiveté, this is a kind of humanism that takes full account of the anti-humanist tendencies of poststructuralism and yet resolutely insists on the potentiality of language to intervene in meaningful ways in our lives. For scholars of the contemporary period, this is an important text not only to read but also to consider assigning for classes.

N. Katherine Hayles, Professor of Literature and Director of Graduate Studies, Duke University, USA

Mary Holland was one of the first critics to see that, with the appearance of figures like David Foster Wallace, something fundamental was changing in the landscape of contemporary fiction. And now, with the publication of Succeeding Postmodernism, we at last see her argument presented in full. Rather than the simple collapse of the postmodernist enterprise in favor of a new realist naiveté, the swerve in literary history depicted here is one of repurposing and reclamation, with all of the famed sophistication of the postmodern now dedicated toward envisioning new forms of human connection. Holland's book will be of interest to anyone looking for a penetrating account of the state-and stakes-of artistically ambitious fiction in our time.

Mark McGurl, Professor of English, Stanford University, USA

For the last decade or so, we've heard a great deal of inconclusive talk about the 'post-postmodern era' and the 'post-ironic' novel. Mary Holland's bracing, densely argued book cuts through all the confusion and offers up a rigorous, firmly grounded overview of this emerging sensibility. Drawing upon recent reevaluations of humanism by Kwame Appiah and Edward Said, Holland discloses unexpected opportunities for empathy and ethical engagement in both poststructuralism and recent fiction by Don DeLillo, David Foster Wallace, Mark Danielewski, A. M. Homes, Jonathan Safran Foer, and Cormac McCarthy. Much like the novels it analyses, Succeeding Postmodernism is both technically dazzling and unapologetically humane.

Marshall Boswell, Professor and Chair of English, Rhodes College, USA, and author of Understanding David Foster Wallace