One of the most striking features of this edited collection is the variety of topics discussed by the fourteen essays that comprise the volume. Theology and the Marvel Universe also succeeds at promoting perspectives and analytic approaches not often reflected within the dominant theological traditions represented by the collection. There is plenty of room for all kinds of readers; this work invites its audience into further conversations to broaden their horizons. Consequently, there might be no better description of its theme than the words of Stan “the Man” Lee himself: “Excelsior, true believer!”

Reading Religion

Greg Stevenson has gathered a generically and methodologically wide-ranging assortment of essays for this collection. It will undoubtedly be of great interest to scholars and students working at the nexus of pop culture and theology.

Ben Saunders, author of Do The Gods Wear Capes?

Not too many books on superheroes do justice to the Marvel Universe of characters and stories from a biblical-theological vantage point—this study is a refreshing exception. The contributors dive deeply into the heroes and their myths without attempting to impose theological elements that are not already latently there. This collection of studies brings to light spiritual, religious, and moral truths implicit, and sometimes explicit, in the superhero films and graphic novels, and it engages both relevant and up-to-date sources. This book is worthy of recommendation for courses focusing on film, heroes, theology, or popular culture.

B. J. Oropeza, Azusa Pacific University, and editor of The Gospel According to Superheroes: Religion and Popular Culture

Assemble, true believers, and behold! Theology and the Marvel Universe reveals what Uatu the Watcher has long witnessed: Superhero stories are wholesome entertainments capable of inspiring reflection even upon the essence of the divine and our relationship with it. From the sanctity of life to suffering and sacrifice; from temptation to redemption; from humility to zealotry; from service to stewardship; from struggling with personal faith to confronting historical injustice; from dealing with bodies to caring for souls; from issues of identity and problems of personhood to surveying the celestial order; from source criticism to supernatural forces; from creation all the way to apocalypse—this good book offers confirmation and testimony that Marvel comics, movies, and television series are sources worthy of scholarly attention and enthusiastic affection.

Travis Smith, Concordia University