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Description
This core teaching text provides a thorough overview of the recently emerged field of transnational film studies. Covering a range of approaches to analysing films about migrant, cross-cultural and cross-border experience, Steven Rawle demonstrates how film production has moved beyond clear national boundaries to become a product of border crossing finance and creative personnel. This comprehensive introduction brings together the key concepts and theories of transnational cinema, including genre, remakes, diasporic and exilic cinema, and the limits of thinking about cinema as a particularly national cultural artefact.
It is an excellent course companion for undergraduate students of film, cinema, media and cultural studies studying transnational and global cinema, and provides both students and lovers of film alike with a strong grounding in this timely field of film studies.
Table of Contents
2. The National Cinema Paradigm
3. Third and Post-Colonial Cinemas
4. Globalisation, Border-Crossing, Migration
5. Exilic and Diasproic Cinema
6. Transnational Film Production
7. Remaking Transnational Culture
8. Globalised Genres.
Product details
| Published | 27 Jun 2018 |
|---|---|
| Format | Paperback |
| Edition | 1st |
| Extent | 274 |
| ISBN | 9781137530127 |
| Imprint | Bloomsbury Academic |
| Illustrations | 11 bw illus |
| Dimensions | 0 x 0 mm |
| Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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This very well-researched book provides a list of recommended viewing and study materials, which will be quite useful for someone trying to acquaint themselves with transnational cinema for the first time.
Sanghita Sen, Frames Cinema Journal

























