The Versatile Vocalist

Singing Authentically in Contrasting Styles and Idioms

The Versatile Vocalist cover

The Versatile Vocalist

Singing Authentically in Contrasting Styles and Idioms

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Description

The art of singing is constantly evolving and reflecting our changing world, proving the importance of versatility for opening oneself to other cultures and styles, enriching the experience of communicating with the human voice, and most importantly, enjoying more opportunities for professional performance. While singers explore the myriad ways to communicate emotion and ideas, they experiment with different timbres, instruments, languages, and musical genres. As situations vary, the demands on the voice as a musical instrument, and the act of singing itself, must be modified. In this follow up to her 1999 volume, The Professional Vocalist, author Rachel L. Lebon continues to give expert advice on the singing profession, describing the musical and vocal adjustments essential to becoming a versatile vocalist. She addresses proprioception, the kinesthetic feedback, vocal adjustments associated with 'crossing over' and exploring new sounds and styles, and performing authentically within contrasting performance situations. Many facets of performance are considered: differing venues_from small studios or clubs to large concert halls; singing acoustically or with sound reinforcement; singing in various styles of music_be it commercial, popular, jazz, or classical; and varieties of instrumental accompaniment_whether a single instrument, a small ensemble, a full orchestra with strings, a big band with horns blaring, or rock bands with wailing guitars. The book discusses factors that influence vocal approaches, including recording studio technology, live sound reinforcement, speech, language, and microphone styles and their affect on musical genres. Practical aspects of music preparation, song learning, rehearsal techniques, and achieving vocal longevity are given, as well as 'real world' strategies and advice from Lebon and other working professionals.

Table of Contents

Part 1 Preface
Part 2 Acknowledgments
Chapter 3 1. Crossing Over from Acoustical Idioms to Microphone Idioms
Chapter 4 2. Microphone Singing in the Performance Area
Chapter 5 3. Crossing Over from Microphone Idioms to Classical Idioms
Chapter 6 4. Pedagogical Approaches to Microphone Idioms
Chapter 7 5. Vocal Pedagogy for Versatility
Part 8 Appendix 1: Tips for Listening
Part 9 Appendix 2: Who's Who
Part 10 References
Part 11 Index
Part 12 About the Author

Product details

Published 20 Jul 2006
Format Ebook (PDF)
Edition 1st
Extent 120
ISBN 9798216233671
Imprint Scarecrow Press
Publisher Bloomsbury Publishing

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