Written in 1907 and revised in 1926, it takes its time (just over three hours), but encompasses a vast amount: English smugness and hypocrisy, the intricacies of power and the danger of divorcing campaigning idealism from emotional fulfilment. Granville Barker's skill lies in his seamless blend of private and public life . . . You emerge wrung through from a play that is not only the source of much state-of-the-nation drama but also, I suspect, Granville Barker's own self-indictment.

Michael Billington, Guardian

When the Lord Chamberlain gave the thumbs down to Harley Granville Barker's play about a politician's adulterous affair in 1907, was it the drama's references to abortion that spooked him? Or was it in fact the playwright's breathtaking cynicism about politics? It is that clear-eyed scepticism that gives the play its modern appeal.

Financial Times

The story at the heart of Harley Granville Barker's Waste - that of a political idealist brought low by scandal - has not dated one jot since the day it was written in 1907 or indeed since its first performance in 1936.

What's On Stage

a remarkable play in its combination of sex, politics and religion. . . . in addition to acute psychological understanding, [Barker] shows a laser-like eye for the hypocrisies and shifting alliances of political life. . . . this is a play that deserves packed houses for its unsparing dissection of the ongoing English malaise.

Guardian

Sex, sleaze, death, hypocrisy and loads of political humour.

The Times

phenomenally shrewd and clued-up

Independent