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Description

Now in paperback! Showcases professional work in the arena of jazz theory. Among the contributors are scholars of jazz theory as well as musicians, including four of the founding members of the jazz section of the Society for Music Theory.

The articles offer a close analysis of a wide variety of jazz styles and span the years from the 1920s to the 1960s. Feature articles include analyses of the music of Johnny Dodds, Charlie Parker, Herbie Hancock, Thelonious Monk and John Coltrane, an overview of jazz theory that examines its history and purpose, a discussion of linear intervallic patterns in the jazz repertory, and a review of scientific analyses of jazz microrhythms. Of great interest to jazz theorists, performers, educators and critics.

Table of Contents

Chapter 1 MAIN ARTICLES
Chapter 2 Jazz Theory-An Overview
Chapter 3 Blurring the Barline: Metric Displacement in the Piano Solos of Herbie Hancock
Chapter 4 Blues for You, Johnny: Johnny Dodds and His "Wild Man Blues" Recordings of 1927 and 1928
Chapter 5 Linear Intervallic Patterns in Jazz Repertory
Chapter 7 Microrhythms in Jazz: A Review of Papers
Chapter 8 The Art of Charlie Parker's Rhetoric
Chapter 9 John Coltrane's Meditations Suite-A Study in Symmetry
Chapter 10 Outrageous Clusters: Dissonant Semitonal Cells in the Music of Thelonious Monk
Chapter 11 PEDAGOGICAL SECTION
Chapter 12 How Weird Can Things Get? (Maps for Pantonal Improvisation)
Chapter 13 Hearing chords
Chapter 14 Transcribing a Solo Using a Tape Constructed from a Compact Disc Player with A/B Repeat Function
Chapter 15 BOOK REVIEW
Chapter 16 Barry Kernfeld's What To Listen For in Jazz (Yale)
Chapter 17 CO REVIEW
Chapter 18 Bill Kirchner's Big Band Renaissance (Smithsonian)

Product details

Published Oct 21 2004
Format Paperback
Edition 1st
Extent 300
ISBN 9780810849730
Imprint Scarecrow Press
Dimensions 214 x 182 mm
Series Annual Review of Jazz Studies
Publisher Bloomsbury Publishing

About the contributors

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