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- Annual Review of Jazz Studies 8: 1996
Annual Review of Jazz Studies 8: 1996
Special Edition on Jazz Theory
Henry Martin (Author) , Keith Waters (Contributor) , Gene Anderson (Contributor) , Steven Strunk (Contributor) , James Lincoln Collier (Contributor) , Geoffrey L. Collier (Contributor) , Steve Larson (Contributor) , David Liebman (Contributor) , James Kurzdorfer (Contributor) , Tim Dean-Lewis (Contributor) , Armen Donelian (Contributor) , Patrick C. Dorian (Contributor) , William I. Bauer (Contributor) , Max Harrison (Contributor)
Annual Review of Jazz Studies 8: 1996
Special Edition on Jazz Theory
Henry Martin (Author) , Keith Waters (Contributor) , Gene Anderson (Contributor) , Steven Strunk (Contributor) , James Lincoln Collier (Contributor) , Geoffrey L. Collier (Contributor) , Steve Larson (Contributor) , David Liebman (Contributor) , James Kurzdorfer (Contributor) , Tim Dean-Lewis (Contributor) , Armen Donelian (Contributor) , Patrick C. Dorian (Contributor) , William I. Bauer (Contributor) , Max Harrison (Contributor)
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Description
Now in paperback! Showcases professional work in the arena of jazz theory. Among the contributors are scholars of jazz theory as well as musicians, including four of the founding members of the jazz section of the Society for Music Theory.
The articles offer a close analysis of a wide variety of jazz styles and span the years from the 1920s to the 1960s. Feature articles include analyses of the music of Johnny Dodds, Charlie Parker, Herbie Hancock, Thelonious Monk and John Coltrane, an overview of jazz theory that examines its history and purpose, a discussion of linear intervallic patterns in the jazz repertory, and a review of scientific analyses of jazz microrhythms. Of great interest to jazz theorists, performers, educators and critics.
Table of Contents
Chapter 2 Jazz Theory-An Overview
Chapter 3 Blurring the Barline: Metric Displacement in the Piano Solos of Herbie Hancock
Chapter 4 Blues for You, Johnny: Johnny Dodds and His "Wild Man Blues" Recordings of 1927 and 1928
Chapter 5 Linear Intervallic Patterns in Jazz Repertory
Chapter 7 Microrhythms in Jazz: A Review of Papers
Chapter 8 The Art of Charlie Parker's Rhetoric
Chapter 9 John Coltrane's Meditations Suite-A Study in Symmetry
Chapter 10 Outrageous Clusters: Dissonant Semitonal Cells in the Music of Thelonious Monk
Chapter 11 PEDAGOGICAL SECTION
Chapter 12 How Weird Can Things Get? (Maps for Pantonal Improvisation)
Chapter 13 Hearing chords
Chapter 14 Transcribing a Solo Using a Tape Constructed from a Compact Disc Player with A/B Repeat Function
Chapter 15 BOOK REVIEW
Chapter 16 Barry Kernfeld's What To Listen For in Jazz (Yale)
Chapter 17 CO REVIEW
Chapter 18 Bill Kirchner's Big Band Renaissance (Smithsonian)
Product details
Published | Oct 21 2004 |
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Format | Paperback |
Edition | 1st |
Extent | 300 |
ISBN | 9780810849730 |
Imprint | Scarecrow Press |
Dimensions | 214 x 182 mm |
Series | Annual Review of Jazz Studies |
Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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Martin's approach here as editor is an intelligent one; the articles tend to embrace several levels of theory at once, and the serious listener, player, or student should find this volume worthwhile.
Cadence Magazine