Description

Since the early twentieth century, "balkanization" has signified the often militant fracturing of territories, states, or groups along ethnic, religious, and linguistic divides. Yet the remarkable similarities found among contemporary Balkan popular music reveal the region as the site of a thriving creative dialogue and interchange. The eclectic interweaving of stylistic features evidenced by Albanian commercial folk music, Anatolian pop, Bosnian sevdah-rock, Bulgarian pop-folk, Greek ethniki mousike, Romanian muzica orientala, Serbian turbo folk, and Turkish arabesk, to name a few, points to an emergent regional popular culture circuit extending from southeastern Europe through Greece and Turkey.

While this circuit is predicated upon older cultural confluences from a shared Ottoman heritage, it also has taken shape in active counterpoint with a variety of regional political discourses. Containing eleven ethnographic case studies, Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and Regional Political Discourse examines the interplay between the musicians and popular music styles of the Balkan states during the late 1990s. These case studies, each written by an established regional expert, encompass a geographical scope that includes Albania, Bosnia and Herzegovina, Bulgaria, the Republic of Macedonia, Croatia, Slovenia, Romania, Greece, Turkey, Serbia, and Montenegro. The book is accompanied by a VCD that contains a photo gallery, sound files, and music video excerpts.

Table of Contents

Part 1 Illustrations
Part 2 Contents of CD-ROM
Part 3 Series Foreword
Part 4 Preface and Acknowledgments
Part 5 Prelude
Chapter 6 1. "Oh, Those Turks!" Music, Politics, and Interculturality in the Balkans and Beyond
Part 7 Part I Post-1989 Culture Industries and Their Nationalist Icons
Chapter 8 2. Bosnian and Serbian Popular Music in the 1990s: Divergent Paths, Conflicting Meanings, and Shared Sentiments
Chapter 9 3.Musica Orientala: Identity and Popular Culture in Postcommumist Romania
Chapter 10 4. BularianChalga on Video: Oriental Stereotypes, Mafia Exoticism, and Politics
Chapter 11 5. Regional Voices in a National Soundscape: Balkan Music and Dance in Greece
Part 12 Part II Beyond Nation: Regionalisms in a Cosmopolitan Frame
Chapter 13 6. Ottoman Echoes. Byzantine Frescoes, and Musical Instruments in the Balkans
Chapter 14 7. Bulgarian Ethnopop along the OldVia Militaris: Ottomanism, Orientalism, or Balkan Cosmopolitanism?
Chapter 15 8. "The Criminals of Albanian Music": Albanian Commercial Folk Music and Issues of Identity since 1990
Chapter 16 9. Shedding Light on the Balkans: Sezen Aksu's Anatolian Pop
Chapter 17 10. Trafficking in the Exotic with "Gypsy" Music: Balkan Roma, Cosmopolitanism, and "World Music" Festivals
Part 18 Postlude
Chapter 19 11. Balkan Boundaries and How to Cross Them: A Postlude
Part 20 References
Part 21 Discography
Part 22 Filmography and Videography
Part 23 Index
Part 24 About the Editor and Contributors

Product details

Published Oct 01 2007
Format Ebook (Epub & Mobi)
Edition 1st
Extent 472
ISBN 9780810866775
Imprint Scarecrow Press
Series Europea: Ethnomusicologies and Modernities
Publisher Bloomsbury Publishing

About the contributors

Anthology Editor

Donna A. Buchanan

Contributor

Kevin Dawe

Contributor

Vesa Kurkela

Contributor

Svanibor Pettan

Contributor

Carol Silverman

Carol Silverman is Professor of Anthropology and F…

Contributor

Martin Stokes

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