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Sixteen of classical music's greatest choral compositions are discussed at length in Choral Masterworks from Bach to Britten: Reflections of a Conductor. Pieces such as Bach's Mass in B Minor and St. Matthew's Passion, Schubert's Mass in G, Stravinsky's Symphony of Psalms, Verdi's Requiem, Mendelssohn's Elijah, and Britten's War Requiem are examined and analyzed in an effort to help performers, students, and listeners more fully understand and appreciate these significant works. Choral professor and conductor Robert J. Summer has combined his personal observations with shared ideas from some of the greatest choral conductors of our time, including Robert Shaw, Sir David Willcocks, Donald Neuen, Julius Herford, and Robert Page. His experiences with some of these conductors, such as his collaboration with Robert Shaw on the recording of Mahler's 8th Symphony, are captured in detail, paying homage to the conductor, the composer, and the work.
Each chapter focuses on an individual work and presents musical analysis, structure, textual symbolism, and identification of traits that endear the work to performers and listeners. Summer comments on the function and relationship of solos, recitatives, and choruses, offering suggestions and considerations for preparing the works for performance. The textual organization of many works is included in appendixes, and the book concludes with a bibliography and a selected discography. Choral Masterworks from Bach to Britten is appropriate both as a textbook for choral literature classes and as a listening guide for the general music lover.
Published | Feb 23 2007 |
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Format | Paperback |
Edition | 1st |
Extent | 224 |
ISBN | 9780810859036 |
Imprint | Scarecrow Press |
Dimensions | 256 x 180 mm |
Publisher | Bloomsbury Publishing |
Summer (choral studies, U. of South Florida, Tampa) discusses 15 choral compositions in depth for performers, students, and listeners. Pieces include Bach's Mass in B Minor, Handel's Messiah , Haydn's Creation , Brahms' Ein deutsches Requiem , Mahler's Symphony No. 8, requiems by Duruflé and Fauré, and Stravinsky's Symphony of Psalms . He analyzes each piece and discusses conducting considerations, historical context, and textual elements.
Reference and Research Book News
Happily, the writing connects analysis with practice! It does so easily and consistently, making the writing approachable and attractive to those who practice the art of teaching and conducting choral music.
Dr. Doreen Rao, Elmer Iseler Chair in Choral Conducting, University of Toronto
Your account of the rehearsal and the performance of Mahler Eighth was both illuminating and deeply moving. I can't tell you how much I value reading or hearing about other musicians' experiences with my father; the stories form a bridge to his memory, and through them his spirit is kept alive.
Thomas Shaw
The book gains validity from the fact that the author has actually conducted all of these works and "lived and breathed" them from the practical standpoint of a conductor, bringing them to life in performance, and not just as an academic pouring over the scores in the privacy of the studio....The scholarship is of the finest order, referencing classic established sources side-by-side with the most current musicological publications. The author has a wonderful way in whetting the reader's appetite for further study.
Dr. Bruce Chamberlain, Director of Choral Activities, University of Arizona
Offers insightful, handy, and readable observations about a range of commonly known and loved large works. Those who would ordinarily collect such titles will find it indispensable.
The American Organist
Recommended.
Choice Reviews
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