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Encounters, whether first or subsequent or whether cultural, economic, or ideological, mark the beginning of an acquaintance and measure both similarities and differences. What happens after an opening encounter is the topic of Citizens of the World: Adaptingin the Eighteenth Century. Taking as its point of embarkation awareness of the mutuality of foreignness—of the unfamiliarity that characterizes all parties to a meeting of the minds, ways, or traditions—this exploratory volume considers the many approaches and strategies to adaptation in the Enlightenment and the long and complex process of reciprocal adjustment that created this enthusiastically outgoing era internationally. The eight essays of this volume examine four varieties of adaptation: the interdisciplinary, in which expanding realms of knowledge collide but cooperate; the transnational, in which longstanding traditions merge and hybridize; the gendered, in which personal identity and public pursuits negotiate; and the general, in which the adapting mentality energizes unprecedented efforts at ingenious recombination. Whether in cast-and-fired pottery or aboard imagined airships, adaptation, the authors in this volume demonstrate, all but defines a century in which the “all but” implies perpetual adjustment to everything else.
Published | May 14 2015 |
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Format | Ebook (PDF) |
Edition | 1st |
Extent | 208 |
ISBN | 9798216356530 |
Imprint | Bucknell University Press |
Illustrations | 10 BW Illustrations |
Series | Transits: Literature, Thought & Culture, 1650–1850 |
Publisher | Bloomsbury Publishing |
In his introduction to this book, David Fairer announces it as a contribution to 'adaptation studies'. . . .Fairer's argument that the word 'adapt' fundamentally changed meaning in the 18th century is learned . . . In the contributed essays one reads of early balloonists who lost their lives because they could not steer their craft or keep them aloft; punch bowls and punch drinking in 18th-century novels, signs of a newly globalized economy; Jamaican poet Olive Senior's 2007 poems about William Beckford of Fonthill, whose fabulous wealth derived from West Indian sugar; the development of a canon of Vietnamese literature.
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