This fascinating book draws on current and recent critical theories to frame and contextualise individual chapters on - amongst others - satire, stand-up, cartoons, slapstick and the visual arts. The theories are clearly explained, often emphasising the playful uses of humour and comedy as a critical tool. Reading it has opened up new avenues in my own thinking about comedy.

Dr. Richard Cuming, Clown Advisor and Senior Lecturer in Performing Arts, University of Winchester

This rich, varied collection opens up new ways of thinking about the critical force of humour. Situated at a surprising place where theory and philosophy, politics and comedy, critique and resistance all meet, it combines sophisticated conceptual reflections with insightful case-studies drawn from stand-up, cartoons, performance art, literature and more. Fascinating, intriguing, and amusing it sets an agenda for activist theorists and practitioners across the disciplines.

Alan Finlayson, University of East Anglia