Cowboy Politics

Myths and Discourses in Popular Westerns from The Virginian to Unforgiven and Deadwood

Cowboy Politics cover

Cowboy Politics

Myths and Discourses in Popular Westerns from The Virginian to Unforgiven and Deadwood

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Description

The politics of popular westerns are surprising in substance and significance, especially of late. Cowboy Politics shows how westerns in literature, cinema, and television face the challenges of Western Civilization even more than the perils of American frontiers. Its strategy is to compare key westerns with major theories of modern and postmodern politics. So it analyzes novels from Owen Wister to Zane Grey and Larry McMurtry. It focuses on films from the western revival beginning in the 1990s and featuring Clint Eastwood’s Unforgiven, while its interest in TV stretches from singing cowboys and Gunsmoke to David Milch’s Deadwood.
Critics are apt to find in westerns the modern politics of Thomas Hobbes and John Locke. They tap devices of individuality, rationality, contract, sovereign enforcement, and representation to overcome the chaotic violence of a wild zone. Cowboy Politics examines how westerns often find such measures insufficient to tame the West as a culture of honor and anger that deteriorates into feud-al vengeance. Instead westerns see the West as the sunset land that is already growing old and moving on. So westerns seek fresh starts informed by comparing civilizations more than demonizing savages. Westerns worry that modern politics devolve into exploitation, oppression, spectacle, and terror. So they pursue supplements in such postmodern politics as republicanism, perfectionism, populism, feminism, and environmentalism. Especially westerns explore politics of persuasive speech-in-action-in-public, doing beauty, and self-reliance in the modes of Hannah Arendt and Ralph Waldo Emerson.
The first two chapters of Cowboy Politics explain how westerns do political theory for popular audiences by making many of our myths: the symbolic stories of individuals and communities which we live daily. The next three chapters trace the initially modern theories of government in many westerns. Then western turns to republican honor, rhetoric, response-ability, and character tracking occupy the following four chapters. And these set the stage for another four chapters on western attention to postmodern terror, mythmaking, celebrity, spectacle, and forgiveness. The final two chapters analyze how “late,” “satirical,” and “transformative” westerns develop realist defenses for their surprisingly postmodern politics.

Table of Contents

Preface
Chapter 1: “The Signs in This Book Spoke to Him”: The Western Craft of Culture and Convention
Chapter 2: “The Stories of the West Are Many”: The Western Craft of Dream and Daring
Chapter 3: “Strike First and Then Give Tongue”: The Western Culture of Honor and Anger
Chapter 4: “Without Law, Man Becomes a Beast”: The Western Culture of Rationality and Sovereignty
Chapter 5: “The Cowboy Represents That Independent Spirit”: The Western Culture of Individuals and Nations
Chapter 6: “Live with Honor and [Leave] Our Mark”: The Western Culture of Honor and Character
Chapter 7: “What's He Going to Get Out of This?”: The Western Culture of Interest and Character
Chapter 8: “Why Had He Waited So Long to Speak?”: The Western Craft of Pride and Performance
Chapter 9: “A Track Is Not Only Marks upon the Earth”: The Western Craft of Faces and Traces
Chapter 10: “It's Not Revenge He's After; It's a Reckoning”: The Western Culture of Fear and Terror
Chapter 11: “Accurate Description [with] Poetry to the Lan

Product details

Published Nov 01 2017
Format Hardback
Edition 1st
Extent 412
ISBN 9781498549479
Imprint Lexington Books
Illustrations 1 tables;
Dimensions 235 x 164 mm
Series Politics, Literature, & Film
Publisher Bloomsbury Publishing

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