Clint Burnham does not merely apply psychoanalysis to the internet; he demonstrates how the unconscious itself is 'structured like the internet,' how our entanglement in the impenetrable digital web allows us to understand properly the way the unconscious overdetermines our thinking and activities. This is why Burnham's path-breaking book reaches much deeper than the usual analyses of the social and psychological implications of the internet: it does not just socialize and historicise the internet, it throws a new light on the unconscious itself.

Slavoj Žižek, Senior Researcher in the Department of Philosophy, University of Ljubljana, Slovenia, and author of Less Than Nothing: Hegel and the Shadow of Dialectical Materialism

Clint Burnham has produced the definitive psychoanalytic account of digital culture. This is the book that those seeking to understand how the unconscious manifests itself in the digital universe have been waiting for. For too long, psychoanalytic theorists have confined themselves to analyses of film and literature, but now Burnham provides the breakthrough. Far from being an application of psychoanalysis to a foreign realm, the digital provides the privileged ground for encountering the unconscious. As Burnham's delightful and witty prose indicates, the internet functions as an event with concrete ramifications for the psyches that emerge in its wake.

Todd McGowan, Professor of English, University of Vermont, USA, and author of Only a Joke Can Save Us: A Theory of Comedy

Were there ever two formations with less in common than 'the Internet,' a machinic transmission of discrete data, and 'psychoanalysis,' a wild science of messy social relationality? Clint Burnham's genius is to show how psychoanalysis is indispensable to any robust theory of digital culture, but as well to reveal the cybernetics already at work in psychoanalytic theory from Freud to Žižek. In readings of multiple media, he vividly demonstrates the ongoing necessity of concepts like negation, enjoyment, and disavowal for making sense of aesthetic productions like cinema, social experiences like Facebook, and the cyber mode of production that binds online pleasures to offline battery factories. This is an expansive, fascinating book, offering its readers a dazzling plenty of speculation and critique.

Anna Kornbluh, Associate Professor of English, University of Illinois at Chicago, USA, and author of Realizing Capital: Financial and Psychic Economies in Victorian Form (2013)