This immensely learned, deeply thoughtful and far-ranging book helps re-situate Emerson in his own time, and in ours. More than just a work of scholarship, it rises to the level of philosophical investigation. It is also witty, playful and, in its own strange way, original.

Phillip Lopate, editor of Writing New York and The Art of the Personal Essay

Emerson suggests in 'The American Scholar' that the final value of a book is that it is a resource. Emerson's English Traits and the Natural History of the Metaphor is a resourceful and generative book, full of disparate insights and insinuations that future scholars will take up in reassessing the relevance of English Traits in an increasingly transatlantic field … In making a new case for the philosophical sophistication of English Traits, LaRocca has achieved his own Emersonian feat, the creation of a new 'atmosphere in which to think' (140).

Jason Risinger, The Ohio State University, American Literary History

I imagine David LaRocca having fun composing this book ... [I]t is an engaging experiment in criticism, an attempt to perform literary study in such a way as to bring its subject to life ... He has inventively devised a cabinet-like structure for his own book on Emerson's cabinet-like structures; LaRocca sets about, assiduously and artfully, composing, gathering, sequencing and otherwise curating its contents ... The patient reader, the reader willing to make “interpretive shifts,” a reader capable of “loyalty to the present” and of reinforcing “an openness to the complexity of emerging phenomena,” will find [the] atmosphere by turns exhilarating, confusing, enticing, and drowsy with the hum of bees. Nevertheless, the reader must grant that removing Emerson's writing from a museum and placing it in a florilegium does wonders for its constitution.

Journal of American Studies, 49, E15, reviewed by T. S. McMillin, Oberlin College, USA

With this study, LaRocca emerges as a theorist as well as an important scholar of Emerson in an age when "theory" has become a footnote ... This study should be read by those who think themselves comfortable with Emerson, and by those who feel abandoned by theory. Mostly, though, this should be read by those who are in interested in figuring the thought that lies beyond reach. Summing Up: Highly recommended. Upper-division undergraduates and above.

Choice, reviewed by R. T. Prus, Southeastern Oklahoma State University, USA

David LaRocca treats Emerson's English Traits with the philosophical seriousness and sophistication the book has long deserved, but never before so richly received. In elegant numbered paragraphs of subtle, self-reflexive philosophical prose, LaRocca refracts a selection of the book's principal metaphors through a remarkably wide array of related texts ranging from Seneca to Augustine to Darwin, Nietzsche, and, especially, Wittgenstein. The result is not a conventional academic study, but rather a many-faceted Emersonian reflection by quotation on such topics as evolution, originality, liberalism, American identity, self-renaming, and the fecund nature of metaphor itself. This is a valuable contribution to the re-assessment of Emerson's most neglected work, and a distinctive example of creative hermeneutical engagement.

Neal Dolan, Assistant Professor of English, University of Toronto, Canada

In this elegantly written, scrupulously researched book, David La Rocca has convincingly demonstrated that, rather than locating a restricted area of inquiry, Natural History constitutes the grounding precondition for Emersonian thinking. Emerson's English Traits and the Natural History of Metaphor will surely prove an indispensable reference for undergraduates and graduates alike.

Donald E. Pease, Professor of English and The Ted and Helen Geisel Third Century Professor in the Humanities, Dartmouth College, USA