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Ethical Materialities in Art and Moving Images
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Description
Has postmodernism really changed the way the artist relates to their art and environment? Addressing the delicate entanglements between the ethical and the material, this book explores how ethics have figured in the generation of art and images in the 21st century.
Starting from the premise that in the Anthropocene the work cannot rest upon its separation from the world, this book develops new ethical thought that acknowledges art and film in their material and immaterial environment. In drawing on new materialism and continental philosophy, the chapters prove just how relative ethics become when applied to artistic creation.
Questioning the ethicalities at play in the relations between the human artist, the art, non-human beings and the environment, practitioners contemplate the singular entanglements of relations and non-relations before, during or after a work of art or film comes into being.
Table of Contents
List of Illustrations
List of Contributors
1. Introduction: Ethical Materialities and Material Ethicalities, Silke Panse (Theorist, University for the Creative Arts, UK)
Part One: Creative Ethics and the Materialities of Affectual Relations
2. The Power of Being Affected, Mikhail Lylov (Artist and Curator, Germany)
3. Why I find it Unethical to Write about Myself as an Artist, Mike Marshall (Artist, University for the Creative Arts, UK)
4. Ideal Work Conditions: Reviving Felix Gonzalez-Torres's Politics of Labor and Care, Lauren van Haaften-Schick (Art Historian, Wesleyan University, USA)
Part Two: Painting beyond the Frame, between Humans and across Species
5. Ethical Issues with Small Abstract Paintings, Joan Key (Painter, University for the Creative Arts, UK)
6. Peasants in the Artist's Studio: Ethics in Cézanne's Paintings of Provençal Labourers, Jon Kear (Independent Art Historian and Author, Italy and UK)
7. Ant-ic Actions, Formica's Forms: An Experiential Exploration of Art with Ants, Fiona MacDonald (Artist, Feral Practice, UK)
Part Three: More-than-Moving-Images
8. Becoming Extinct (Wild Grass): Exploring More-than-Human Temporalities in Russian Steppes, Elke Marhöfer (Filmmaker and Artist, Italy and Germany)
9. Onscreen Pleasures and Off-Screen Guilt: Minimizing Ecological Erasure and Material Complicity in Moving-Image Art, Erin Espelie (Filmmaker, University of Colorado Boulder, USA)
10. Fearful Symmetry, Phillip Warnell (Filmmaker, University of Lincoln, UK)
Index
Product details
Published | May 30 2024 |
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Format | Paperback |
Edition | 1st |
Extent | 288 |
ISBN | 9781350427181 |
Imprint | Bloomsbury Visual Arts |
Illustrations | 20 bw illus |
Dimensions | 234 x 156 mm |
Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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This wonderfully diverse volume shows how the zone of ethics is always a zone of jagged, not flat, ontologies. It is a primer for what it means to take ethics-and the ethics of art-seriously.
Cary Wolfe, Dunlevie Professor of English at Rice University, USA, and author of What is Posthumanism? (2009) and Art and Posthumanism: Essays, Encounters, Conversations (2022)
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Applying Spinoza's ethics – to affect and be affected – to film and painting, this groundbreaking anthology deconstructs differences between the human and non-human, material and non-material to create new connections between ethical thought and practice.
Colin Gardner, Distinguished Professor Emeritus, University of California, Santa Barbara, USA, and co-editor of Ecosophical Aesthetics: Art, Ethics and Ecology with Guattari (2018) and Deleuze and the Animal (2017)
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Are you curious how materialities and ethics relate to each other when it comes to art, audiovisual culture, bio- or media-diversity, and philosophy? Would you like to follow many materials and their mutable natures in the Anthropocene? Then this excellent book is for you!
Petra Lange-Berndt, Professor of Modern and Contemporary Art, University of Hamburg, Germany, and editor of Materiality (2015)
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A powerful and timely retort to the rejection of ethics in recent philosophy and art theory. With its lively range of perspectives and readings of art works, the book moves beyond reductive theoretical framings of matter and meaning to address some of the most pressing political and ethical questions in a time of mass extinction.
Ros Gray, Reader and Co-Director, Centre for Art and Ecology, Goldsmiths, University of London, UK