How refreshing! In the midst of so much critical cant, here is for once a true 'resource guide'. Remarkably transparent, it doesn't flaunt Reichardt's personal agenda or sophisticated style. As clearly, precisely and concisely as possible, it presents twelve texts in their own light, after a short introduction to their authors. This does not keep Reichardt from demonstrating their potential as launching pads for serious religious discussion. Her astute choice of works for this anthology reflects much classroom experience. All of them are highly teachable: attractive, personal, non-dogmatic, full of questions, they involve their reader inextricably and openly into exploring fundamental and challenging dimensions of Catholicism. Reichardt's analyses demonstrate the value of such literature for deepening one's grasp of this incarnational and sacramental tradition. Here is indeed an excellent tool for a new generation attempting to reclaim the right to a Catholic reading of literature.

Janine Langan, University of Toronto

As interest in Catholic Literature and thought grows, this propitious volume cuts across genres, cultures and centuries to reveal the true catholicity of both faith and literature, and the fruitful interaction between them. Students will find the individual chapters accessible and engaging while being challenged by Reichardt's keen analyses of the writers and their works. Scholars will regard her trenchant introduction, especially her insistence that these authors' religion was central to their creative vision, as a thoughtful contribution to attempts to define 'Catholic literature.' This is a timely treatment of timeless texts.

Adam Schwartz, author of The Third Spring: G. K. Chesterton, Graham Greene, Christopher Dawson, and David Jones

A lucid and illuminating treatment of a range of twelve Catholic writers from St. Augustine and Julian of Norwich through Undset, Greene, and Endo. Mary Reichardt demonstrates a sure grasp of the theological currents and ideas these writers address and of the commonality yet distinctiveness of their visions. The concreteness of her particular interpretations is as impressive as her understanding of the Catholic tradition these works share and so strikingly articulate.

Thomas Werge, University of Notre Dame

It is easy to imagine very innovative curricula developing from the use of this volume as a textbook, especially for students. Reichardt's scholarly support for her readings resounds with critical voices heard only faintly beneath the loud drumming of deconstruction and theory in the recent decades. Those unfamiliar with the subject will be surprised to discover that writers as disparate as Augustine of Hippo, Sigrid Undset, and Shusaku Endo might be more alike than they are different.

Kathleen Burk, University of Dallas