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Film Fables
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Description
Film Fables traces the history of modern cinema. Encyclopedic in scope, Film Fables is that rare work that manages to combine extraordinary breadth and analysis with a lyricism which attests time and again to a love of cinema.
Jacques Ranciere moves effortlessly from Eisenstein's and Murnau's transition from theatre to film to Fritz Lang's confrontation with television, from the classical poetics of Mann's Westerns to Ray's romantic poetics of the image, from Rossellini's neo-realism to Deleuze's philosophy of the cinema and Marker's documentaries.
The Film Fable shows us how, between its images and its stories, the cinema tells its truth.
Table of Contents
Part I: FABLES OF THE VISIBLE
1. Between the age of the theatre and the television age
2. Eisenstein's Madness
3. A Silent Tartuffe
4. From One Manhunt to Another: Fritz Lang Between Two Ages
5. The Child Director
Part II: CLASSICAL NARRATIVE, ROMANTIC NARRATIVE
6. Some Things To Do: The Poetics of Anthony Mann
7. The Missing Shot: The Poetics of Nicholas Ray
Part III: IF THERE IS A CINEMATOGRAPHIC MODERNITY
8. From One Image to Another? Deleuze and the Ages of Cinema
9. Falling Bodies: Rossellini's Physics
10. The Red of La Chinoise: Godard's Politics
Part IV: FABLES OF THE CINEMA, (HI)STORIES OF A CENTURY
11. Documentary Fiction: Marker and the Fiction of Memory
12. A Fable Without a Moral: Godard, Cinema, (Hi)stories
List of Films
Sources and Acknowledgments
Product details
Published | Feb 01 2006 |
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Format | Paperback |
Edition | 1st |
Extent | 208 |
ISBN | 9781845201685 |
Imprint | Berg Publishers |
Illustrations | bibliography, index |
Dimensions | 234 x 156 mm |
Series | Talking Images |
Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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A remarkable and beautiful book which, with immense elegance, sets aside the difficulties of film theory to recreate a liberating, critical and poetic history of cinema.
Adrian Rifkin, Professor of Visual Culture Media, Middlesex University and Editor of the Art History journal
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An important exploration of the tensions, ruptures and continuities that complicate the twists and folds of the history of cinema.
Geoffrey Whitehall, Theory & Event
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What really sets the book apart is Ranciere's gifts as a writer and fine-grain critic... The wide-ranging analyses emerge out of a truly intimate knowledge of the films, expressed with loving attention to the most minute of formal details--a hesitant gesture, a recurring sound, a glimmer of light. Like all the best books by philosophers on cinema, Ranciere encourages us at once to think and to see these images anew.
Paul Fileri, Film Comment
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A compelling study that will leave an enduring mark on film and media studies.
Tom Conley, Harvard University