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Description
The Fundamentals of Animation by Paul Wells offers an illustrated and visually stimulating introduction to the key elements of animation. It discusses the key principles and processes involved in animation, exploring the entirety of the creative process from finding and researching a concept, through the preparation and techniques used, to the execution of the work. Each stage is presented in an engaging visual style, accompanied by examples and analysis of contemporary student and commercial animation.
The book also discusses the links between animation and the styles and narratives of other areas of popular culture, aligning theory and ideas to practical advice. It includes a section for aspiring animators examining career paths, portfolios and the structure of the creative industries.
Table of Contents
Introduction
Concept
Research
Preparation
Technique
The animator as interpreter
The animator as performer
The animator as editor
The animator as director
Applications and outcomes
Introduction
Drawn and cel animation
3D stop-motion animation
Digital animation
Alternative methods
Contexts
Introduction
Post-production
Critical evaluation
Portfolio
Collaboration
Working as an independent
Postgraduate opportunities
Making an independent film
Screening opportunities
Product details
Published | Aug 24 2006 |
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Format | Ebook (PDF) |
Edition | 1st |
Extent | 196 |
ISBN | 9782940439898 |
Imprint | AVA Publishing |
Illustrations | 200 |
Series | Fundamentals |
Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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The book is terrific. Beyond being a textbook, it strikes me as being a very rich resource for animators and film-makers ... The material is serious yet highly approachable ... The book is a bargain, especially as an academic text.
Thomas Castillo, University of Arizona, USA
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Intelligently organized and lavishly illustrated, The Fundamentals of Animation is distinguished from most how-to-animate guides for being multidimensional in approach and multivalent in function ... Wells's book teaches its users not only to do, but to think animation.
Victoria Meng, Animation Journal, 2006
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Very impressed. Seems clear and concise. I think my students will find it very useful and informative. Visually pleasing with bite-sized bits of information.
Tom Ingham, Cambridge School of Visual and Performing Arts, UK
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A good introductory text to animation. Very useful tips on creating characters and storylines. Practical tutorials to engage students in practice. Well designed. Very readable language.
Victor Valbuena, Republic Polytechnic, Singapore
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This is a great book, particularly for beginners. I particularly liked that it includes contexts that lead students to explore next steps ... The interviews with animators are also helpful, as they provide another voice and perspective. I really like the layout. The stills are a definite strength.
Kyja Kristjansson-Nelson, Minnesota State University Moorhead, USA
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Excellent publication ... really well researched, written and designed ... extremely reader friendly.
Charles da Costa, Savannah College of Art and Design, USA