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Henry James and the Question of Living
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Description
A bold reinterpretation of Henry James's fictional universe that shows how characters who desire to “live” but struggle to translate that desire into reality actually have much to teach us about the activity of leading a life.
Henry James and the Question of Living demonstrates that characters like Lambert Strether and John Marcher – whom readers often pity and pathologize as squeamish about sex and stuck in their heads – function as vectors for rich philosophical questions. Specifically, the idea that we must experience life as fully and intensely as possible, an injunction that is as omnipresent and affectively charged in our era as it was in James's own. In their unsuccessful attempts to live up to this injunction, James's characters reveal that the picture of subjectivity underpinning it has limited purchase on our practical, day-to-day experience of ourselves as agents.
Arguing that James's novels and stories are exemplary of what Robert B. Pippin describes as "philosophy by other means," Jones suggests that James's style – and particularly his use of free indirect discourse – models a way of thinking about the activity of leading a life that is remarkable in its phenomenological subtlety and sophistication. Henry James and the Question of Living ultimately shows that paying close attention to James's innovative techniques for representing lived experience allows us to place him in a mutually-enriching dialogue with philosophers like Martin Heidegger, Georges Canguilhem, and Béatrice Han-Pile.
Table of Contents
Acknowledgements
Note on text
List of abbreviations
Introduction
· The sense of living
· Almost designed to give way
· Confidence in life
· Philosophy by other means
· Chapter summaries
PART ONE
1. Lambert Strether and the middle ranges of agency
· Stock responses
· Obstruction and flow
· The middle voice of free indirect style
2. Milly Theale and the question of living
· The crack in the bowl
· Against existential lucidity
· Living by volition
· Necessary simplifications, strained to breaking
PART TWO
3. Paul Overt and the doctrine of renunciation
· Should have lived more, written less
· Benedictines of the actual
· Playing dead
4. Dencombe and the logical priority of life
· Incomplete detachment
· The dim underworld of fiction
· The grammar of 'living'
Coda: On the uses of literary criticism for life
Notes
Bibliography
Index
Product details
| Published | May 14 2026 |
|---|---|
| Format | Hardback |
| Edition | 1st |
| Pages | 240 |
| ISBN | 9798765141359 |
| Imprint | Bloomsbury Academic |
| Dimensions | 229 x 152 mm |
| Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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Patrick Jones has written a very impressive, thoughtful and ground-breaking work on one of the most complicated and important issues in the work of Henry James – the concept of 'life' or 'living all you can' as an ideal at issue in many novels and stories. I know of no more sophisticated philosophical or critical treatment of James, nor one more sensitive to his style and thought.
Robert Pippin, Evelyn Stefansson Nef Distinguished Service Professor of Philosophy, University of Chicago, USA
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'Live!' The exhortation, or thought, recurs throughout the writing of Henry James, connecting his fiction to fundamental philosophical as well as ordinary human questions. Can one consciously seek to live more fully? What would it mean to do so? Patrick Jones's beautifully lucid and deeply searching book revivifies both James's great late works and the subject of literature's relevance to phenomenological inquiry.
Jennifer Fleissner, Professor of English Literature, University of Chicago, USA

























