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In Landskipping, Anna Pavord explores some of Britain's most iconic landscapes in the past, in the present, and in literature. With her passionate, personal, and lyrical style, Pavord considers how different artists and agriculturists have responded to these environments. Like the author's previous book The Tulip, Landskipping is as sublime and picturesque as its subject.
Landskipping features an eclectic mix of locations, both ecologically and culturally significant, such as the Highlands of Scotland, the famous landscapes of the Lake District, and the Celtic hill forts of the West Country. These are some of the most recognizable landscapes in all of Britain. Along the way, Pavord annotates her fascinating journey with evocative descriptions of the country's natural beauty and brings to life travelers of earlier times who left fascinating accounts of their journeys by horseback and on foot through the most remote corners of the British Isles.
Published | Jul 05 2016 |
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Format | Hardback |
Edition | 1st |
Extent | 272 |
ISBN | 9781408868911 |
Imprint | Bloomsbury Publishing |
Illustrations | 18 B&W chapter opening illustrations |
Dimensions | 234 x 153 mm |
Publisher | Bloomsbury Publishing |
Rangey, deeply felt and sometimes luminous ... Like the raking light that exposes ancient lynchets at sunset, such knowledge brings out new detail in the one particular view over a gate which Pavord has loved in all seasons, and which she now evokes for us as it changes through a full year. From the vantage point of this ending, I look back and find that the mixed landscape of the whole book is cast in a very beautiful light
Alexandra Harris, Guardian
Intensely enjoyable … Anna Pavord is a beautiful writer who feels her subject deeply and with a lifetime's enjoyment and understanding
Lucy Lethbridge, Observer
A lyrical defence of our landscape, its language, and its freedom from meddling by various agencies ... a real pleasure
Mail on Sunday
The whole book reads like a conversation at some fantasy dinner party where all the guests are impeccably informed, fervently opinionated, gently witty and incurably passionate about the countryside. It darts from topic to topic, century to century, painter to ploughman, mountain to meadow, like some mercurially active salmon making its way up the Dart or the Dee. Yet miraculously – or, more likely, thanks to Pavord's beautifully descriptive but never indulgent prose – it all hangs together. You can read the whole book in less time than it takes to go up and down Ben Nevis, and feel that you have bagged not just the king of Munros but the rural delights of an entire kingdom … Landskipping, however, is not some environmental rant. Pavord still sees plenty to celebrate about the British landscape, and plenty to send a delicious shiver up the spine as well
The Times
Her eye can catch the colouring of a distant hill, the move of sun across a contour and the run of sheep into a dark cwm. She can talk to rooks in the treetops and smell flowers in a hedgerow. She was born to the countryside purple.
Landskipping is a hymn to the British landscape … intensely felt and totally engaged. … She is a beautiful writer
Simon Jenkins, Country Life
Anyone who loves the variety and idiosyncrasies of the British countryside will relish this poignant celebration
Independent
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