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Description
Sergei Rachmaninoff (1873-1943) is now widely regarded as one of the greatest 20th-century composers and pianists. In this illuminating and accessible biography, Max Harrison covers the span of Rachmaninoff's life, taking in his career as composer, pianist and conductor, offering full analyses of his scores and a uniquely detailed treatment of his 1919-1942 recordings. A fascinating account of the man, his life and work, this book sheds much new light on its subject and the ways that Rachmaninoff was viewed during his own time and beyond.
Table of Contents
1. Before the beginning
2. The family breaks up
3. Zveref and Moscow
4. Composition starts
5. The break with Zveref
6. To Ivanovka
7. More compositions
8. Towards graduation
9. Aleko and the graduation
10. First moves as 'Free Artist'
11. More productions and Tchaikovsky's death
12. The long road to Symphony No. 1
13. A symphony misunderstood
14. London visit, Moscow cure
15. The Crimea, Italy, Concerto No. 2
16. Composition concludes and there is a marriage
17. Variations, Preludes and a child is born
18. Two operas
19. An abortive revolution, the operas produced
20. Sonata, Symphony, part of an opera
21. The Isle of the Dead and Concerto No. 3
22. America and the Liturgy
23. 1910, more preludes, more conducting
24. Etudes Tableaux, Marietta Shaginian, more songs
25. The Bells and a last sonata
26. World War I, All-Night Vigil, last songs
27. Final composing in Russia, escape from Petrograd
28. The expatriate artist: first concerts, first recordings
29. Rachmaninoff fully established
30. Two more seasons, more recordings
31. Concerto No. 4, Chansons Russes
32. Rachmaninoff the pianist
33. Classic recordings and orchestration by another
34. Senar and LaFolia
35. Rapsodie, Sympony No. 3
36. Four more seasons, major recordings
37. Symphonic Dances
38. Last recordings, a final tour
39. Envoi
Appendices: Chronological list of works
Classified list of works
Discography
Bibliography
Index
Product details
Published | Nov 28 2006 |
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Format | Paperback |
Edition | 1st |
Extent | 432 |
ISBN | 9780826493125 |
Imprint | Continuum |
Dimensions | 234 x 156 mm |
Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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''A widely published musical journalist, Max Harrison writes in a cultivated and comfortable British English... pleasingly free from jargon'' ''Harrison seems to have set himself the task of not only presenting the chronology and circumstances of Rachmaninoff's life and works with scrupulous clarity and care but also to refute the denigration of Rachmaninoff's original works that became fashionable when the composer settled in the U.S. after feeling the Bolshevik Revolution'' Dennis D. Rooney, ARSC Journal, Spring 2007
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"[Michael] Scott's (founder, London Opera Society; The Great Caruso) book on pianist-composer Sergey Rachmaninoff [Rachmaninoff] is almost entirely biographical, unlike Barrie Martyn's Rachmaninoff: Composer, Pianist, Conductor and Max Harrison's Rachmaninoff: Life, Works, Recordings, which combine biography with musical analysis (both have musical examples, but Scott's book does not)...Martyn and Harrison offer superior examinations of Rachmaninoff's music...Martyn's and Harrison's books also have illustrations...For a general treatment of Rachmaninoff's life and music, Harrison's book is the best." -Bruce R. Schueneman, Library Journal, February 1, 2009
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"an impressive achievement, the result of meticulous research and a long, deep association with its subject...Its tone is crisp, energetic and omniscient...no one who is interested in any aspect of this great musician's legacy can afford to miss Harrison's engaging, scholarly and, yes, inspiring biography."
Jeremy Nicholas, Gramophone
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"Max Harrison's comprehensive biography treats the life, works and recordings exactly as stated in the subtitle. A chronological survey of all three together in the course of thirty-nine relatively short chapters, supplemented by a section of fifty-four musical examples similarly ordered, a list of works both by chronological order and classification, an abbreviated discography and the bibliography. By keeping the chapters short, it is easy to peruse the reference notes at the end of each one. These are almost all explanatory and entertainingly informative widely published musical journalist. Max Harrison writes in a cultivated and comfortable British English. It is pleasingly free of jargon... Harrison sees to have set himself the task of presenting the chronology and circumstances of Rachmaninoff's life and works with scrupulous clarity and care.... Rachmaninoff's reputation was never in danger even in the final decades of his life, and both recordings and conductors who enjoy programming what audiences wish to hear have made its creative output better known and more highly esteemed than ever. Most composers' reputations bottom out a century after their birth but Rachmaninoff's is greater than ever.For readers of this journal, Rachmaninoff's own recordings will be a central interest. Harrison discusses each one in more detail than is usual. Particularly valuable is his discussion of the duplication of repertoire. He compares both the published recordings with the series of the piano rolls that Rachmaninoff recorded for Ampico during the twenties."
ARSC Journal
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"Anyone deeply interested in the music of Rachmanimov who would like to really know about the Russian master's composition process will find Rachmaninov:Life, Works, Recordings to be of great interest." "there's no doubt that Harrison knows Rachmaninov's music in detail" "An intense and in-depth read, this is a book for real Rachmaninov aficionados." Pianist, No. 37, August-September 2007
Pianist
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Nominated as a finalist for the Association for Recorded Sound Collections, Classical shortlist.
Finalists for the 2006 ARSC Awards for Excellence