As ... Henry Edmondson... shows, O'Connor takes us through evil to good, through sacrifice to redemption, and through tragedy to comedy.

Thomas Hibbs, National Review

Edmondson's considerable philosophical and theological sophistication informs every page of his interpretations of O'Connor's stories. That interpretation is wonderfully intense and nuanced, because Edmondson is convinced that these stories might just be one way we can know the truth. Edmondson's book inaugurates a new stage in the scholarly appreciation of Flannery O'Connor.

Peter Augustine Lawler, Berry College

To my knowledge, this is the best thing written on Flannery O'Connor. It is extremely valuable, insightful, and beautifully written; like O'Connor's stories themselves, it is hard to put down. It is a splendid introduction to first-time readers as well as a treasure for those who are well acquainted with O'Connor's works. . . . Professor Edmondson leads us to the heart of the stories with gracefulness and directness.

Peter Kalkavage, St. John's College

Although it is widely appreciated that O'Connor was a serious Catholic, literary scholars do not explore what that means for her work with the depth that Edmondson undertakes here; neither have many of them spent the time he has examining and drawing conclusions from her library and letters.

Charles Rubin, Duquesne University

This most illuminating book should become the standard against which past and future studies of O'Connor will be measured. Everyone mentions Nietzsche, but Edmondson seems to know his thought as intimately and as reliably as I imagine O'Connor did. We've long needed this more searching examination of O'Connor's bad angel.

John E. Alvis, University of Dallas

With this lucid, compelling, and important book, Henry T. Edmondson III reveals Flannery O'Connor's prophetic poetry and explains her moral vision. He leads us into the heart of her fiction and exhibits a profound understanding of her intentions and of her theological sources. Moving adroitly among her stories, letters, and speeches-intrepidly tracking her every literary move-Edmondson makes it as hard for us, as it is for O'Connor's characters, to remain in 'some halfway position' on moral questions. He demonstrates, moreover, that O'Connor's 'Christian realism' is not for the faint of heart. She offers shock therapy for the morally obtuse and hard-edged truths to alarm the easygoing and sentimental. As Edmondson explains, O'Connor's stories show why the Nietzchean effort to expel good and evil, and God and the Devil, is doomed to fail-but she further shows that when this misadventure is abandoned, self-knowledge will return through grace.

Pamela K. Jensen, Kenyon College