Salomé Voegelin is a brilliant and subtle thinker about sound and music, so Sonic Possible Worlds: Hearing the Continuum of Sound, Revised Edition is a deeply explored and essential study of the necessity of listening, of openly absorbing what sound tells us of our shared world, listening which gives us access to the fluid nature of relationships and connections, to the interactive web of the world and our participation in it through awareness of this 'complex continuity' and of ourselves inextricably enmeshed within it.
Salomé Voegelin generously maps many ways of practicing listening to sonic worlds and of sharing access to the ever-expanding “possible world” of sound-life, then goes further, leaping beyond our physical and conceptual limits, diving into sound we cannot hear but which affects us, becoming part of our apprehensible world and of our learning how to live within it.

Annea Lockwood, Composer and Professor Emeritus, Vassar College, USA

The first edition of this book opened up new ways of thinking about sound and listening, which seemed provocative at the time, engaging with “possible world theory,” speculating on what and how sound means without referring it to the visual, and proposing a continuum of hearing between sound art and music. In this highly anticipated and essential new edition, Voegelin thinks about bodies and presents with rigor and extraordinary clarity the way sound may open us up to the plural possibility of bodily existence. Effortlessly interlacing phenomenology, feminist and queer theories, and weaving together sound thought and practice, while remaining precise yet accessible, the author invites us to listen to our own and each other's bodies, enjoy their transforming, hybrid and even monstrous capacities, and discover the emancipatory force of their soundings.

Mikhail Karikis, film director and Professor, MIMA School of Art & Design, Teesside University, UK