This critical edition of Alex La Guma’s A Soviet Journey (first published in 1978) offers a key to understanding the allure of the Soviet Union during the early through mid-20th century for African and diaspora writers. Editor Lee (Lafayette College) annotates the work with Americanized grammar and punctuation and offers essential grounding in La Guma’s political and creative impulses. Lee’s introduction is both historically and critically comprehensive, providing sufficient context for La Guma’s travel literature and political praxis. Lee suggests that La Guma’s work is important because of its value as a travel account, a work of political theory, and a work of aesthetic theory. Beyond this, students and researchers unfamiliar with his work will find this edition helpful in understanding his lifelong quest for equality. La Guma (the people’s writer who suffered exile) attempted to demonstrate through his Soviet travels that it is possible to create a society and political system that is anti-racist, anti-capitalist, and anti-imperial in nature. Therefore, he, like other writers from Africa and its diaspora, was seeking a philosophical space for his South Africa and other Third World countries suffering from the weight of multilevel oppression. Summing Up: Recommended. All academic levels/libraries.

Choice Reviews

The book [a re-publication of South African novelist Alex La Guma’s composite 1978 memoir of several journeys to the Soviet Union in the 1960s and 1970s] is graced by Professor Christopher Lee’s comprehensive introduction to the enduring ties between the Soviet Union and South African freedom struggles, and La Guma’s place in this relationship. Indeed, this sixty-page introduction is worth the price of the book. Lee vividly evokes that breathless moment in the mid-twentieth century when a brand new Third World, full of anger, promise, and emancipatory vision was rising out of the ashes of colonialism. . . . For students of the Soviet Union and transnational communism in the Cold War era, La Guma’s lively tale provides a valuable perspective on less-travelled Soviet byways, and the ways that officials and ordinary people alike presented themselves and their communities to an honored and enthusiastic African comrade.

Slavic Review

The unique memoirs of an exiled African Communist and acclaimed writer during his travels in the Soviet Union—a fascinating account by a fascinating man.

Hakim Adi, author of 'Pan-Africanism: A History'

Scholars and students of Africa and the Cold War owe Christopher J. Lee a debt of gratitude for rescuing from oblivion and masterfully editing this fascinating travelogue by one of the central figures of modern African literature and radical Cold War internationalism. Alex La Guma never published a memoir and this account of his Soviet travels presents us with an opening into a remarkable and remarkably eventful life of a talented globe-trotting writer, a fierce political activist, and, ultimately, a committed humanist.

Maxim Matusevich, Seton Hall University

It is beyond valuable to have back in print A Soviet Journey by Alex La Guma, one of South Africa's most important leftists. In this rich, descriptive account, La Guma offers a Southern perspective of the Soviet experiment. He is bedazzled by the fact that the Tsar's dominions—backward by every indicator in 1917—had thrived so fundamentally through socialist praxis. This is a marvelous book, honest in parts, hopefully idealistic elsewhere, but in all of it true to what La Guma experienced in the context of his own rich and important life.

Vijay Prashad, George and Martha Kellner Chair in South Asian History and Professor of International Studies, Trinity College, Hartford, Connecticut

This invaluable republication of an important yet previously neglected work by Alex La Guma fills a gap in the corpus of antiapartheid literary texts and the history of Third World internationalism. More than a simple travelogue, A Soviet Journey reveals the determining role played by the Eastern Bloc in the anticolonial imaginary. The compelling and idea-rich accompanying critical apparatus reveals the text’s cultural significance. Together with the brief but luminous prefatory essays by Ngugi wa Thiong’o and Blanche La Guma, Lee’s insightful introduction and meticulous annotations will become a touchstone for scholars and students of African literatures and cultures, Afro-Asian solidarities and African connections to the Eastern Bloc, as well as the global Cold War.

Monica Popescu, McGill University