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Star Trek Discovery and the Female Gothic
Tell Fear No
Star Trek Discovery and the Female Gothic
Tell Fear No
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Description
While many scholars agree the Gothic mode has been a precursor to science fiction since Mary Shelley’s Frankenstein, Carey Millsap-Spears argues in this book that the made for streaming series Star Trek Discovery draws on an even older gothic formula, namely the Female Gothic of Ann Radcliffe’s romance novels, including The Romance of the Forest and The Mysteries of Udolpho. Millsap-Spears reads the streaming series through the lens of the Female Gothic, illustrating that each season contains the formulaic elements of a mystery, a gothic villain and heroine, an escape narrative, and the explained supernatural. In doing so, the author expands Star Trek scholarship and sheds new light on the intertextual connections between gothic literature and contemporary science fiction.
Table of Contents
Preface
Acknowledgments
Introduction
Chapter 1: “Haven't you ever been afraid of a ghost?”: Gothic Romances, Star Trek, and Science Fiction
Chapter 2: “That Hope is You”: Female Gothic Heroines and Michael Burnham
Chapter 3: “He Groomed You. He Chose You”: The Gothic Villain and Star Trek: Discovery
Chapter 4: “That's How We Find Our Way”: Escape Narratives, the Female Gothic, and the Voyages
Chapter 5: “I Like Science”: the Explained Supernatural, the Female Gothic, and Star Trek: Discovery
Chapter 6: “Sometimes We Know the Role We're Meant to Play”: Starfleet's (Ineffective) Gothic Heroes
Conclusion
Bibliography
About the Author
Product details
| Published | Oct 16 2023 |
|---|---|
| Format | Ebook (Epub & Mobi) |
| Edition | 1st |
| Extent | 192 |
| ISBN | 9781666910520 |
| Imprint | Lexington Books |
| Series | Research in Horror Studies |
| Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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Fans will appreciate this fresh take on Discovery. And while the multiple references to the gothic and scholarly works may initially put off general readers, the specific examples from various episodes quickly bring balance and draw readers in. This heavily researched volume is a valuable resource for scholars across multiple fields. Highly recommended.
Choice Reviews
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The Discovery series emerges here as a critically reflexive addition to the Star Trek universe, one that, like the gothic heroine herself, dares to highlight the casually colonialist, heteronormative, misogynist, and blithely optimistic discourses that underpin it. Star Trek: Discovery and the Female Gothic is a valuable resource for scholars and fans alike, boldly going into territories old and new.
Dara Downey, Trinity College Dublin
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In Star Trek Discovery and the Female Gothic ... Carey Millsap-Spears boldly re-situates the franchise in the rich, complex history of the female gothic narrative. By tracing a direct line between classic female gothic authors Ann Radcliffe and Mary Shelley, Millsap-Spears offers a much-needed re-examination of a beloved science fiction universe through an historical and critical lens.
Liz Faber, Dean College
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If you’ve never thought that Star Trek Discovery and the female Gothic belong together, then let this entertaining and informative book show you where you must boldly go. By linking risk-taking heroines of centuries past to cutting-edge science fiction on television, Carey Millsap-Spears makes an original and compelling contribution.
Devoney Looser, Professor of English, University of Missouri
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Written in an enjoyable and informative manner, the book reflects the significant level of Millsap-Spears's Star Trek knowledge and her expertise in Gothic literature and conventions. Millsap-Spears's monograph is a culmination of years of work and will be useful to academics as well as Star Trek fans, especially those who identify as both.
Journal of Film and Video
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In Tell Fear No: Star Trek Discovery and the Female Gothic, Carey Milsap-Spears persuasively delineates the Gothic roots of the Star Trek franchise, and convincingly argues that Star Trek: Discovery – female led and orientated – can be further characterised as part of a tradition of “Female Gothic” dating back to Mary Wollstonecraft Shelley and Charlotte Brontë. With rich and satisfying analyses of both the Gothic and Star Trek, this a welcome addition to the burgeoning scholarship on the most recent entries in a franchise that marries both science and emotion.
Una McCormack, associate fellow of Homerton College, Cambridge, and NYT bestselling science fiction author
ONLINE RESOURCES
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