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The role of arts and cultural institutions is changing. Once viewed as stewards of objects, institutions are increasingly upheld as stewards of people—spaces where the diversity of human experience is asserted, explored, and celebrated. As such, they function as public resources and should be equally accessible to all members of diverse communities.Individuals with autism spectrum disorder account for a significant portion of the community. Advocates are working to shift attitudes and nomenclature, with terms such as neurodiversity and sensory-friendly becoming more commonplace. With this, cultural institutions are putting effort into creating tailored programs and resources to welcome neurodiverse visitors who have historically been excluded from these spaces. Despite their desire to connect, many cultural workers fear they lack the expertise or resources needed to effectively create inclusive spaces and experiences.This book's content is presented by museum educators, arts administrators, occupational therapists, and school psychologists—contributors with different expertise and perspectives on the stakes of cultural arts experiences for neurodiverse visitors.We offer advice based on what has worked for us and share the sometimes-difficult lessons learned along the way. However, this advice comes with the caution there is no one-size-fits-all solution. To be truly successful, arts and cultural institutions must respond to their unique community and work within the resources and limitations of their institution.Our practical goals for the reader are threefold:To understand the value of programming for neurodiverse visitors and effectively communicate this to others,To build a toolkit of strategies and resources for neurodiverse visitors to have successful visits to cultural institutions, no matter the staff size, budget, or current stages of accessibility,To develop evaluation strategies to gauge the impact of offerings for neurodiverse visitors with results that help the reader improve, grow, and refine for the future.
Published | Feb 06 2024 |
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Format | Paperback |
Edition | 1st |
Extent | 310 |
ISBN | 9781538171028 |
Imprint | Rowman & Littlefield Publishers |
Illustrations | 23 BW Photos, 21 Tables, 11 Textboxes |
Dimensions | 230 x 152 mm |
Publisher | Bloomsbury Publishing |
In this volume, a diverse team of authors engage the essential intersections of museum and arts education, accessibility, special education therapy in public schools, and the field of school psychiatry. The book exemplifies a robust, user-centered grounding that ensures consideration of research and expertise about neurodiverse audiences, outreach and terminology, and those providers of complementary learning and social supports. The content illustrates how these key resources are realistically woven into planning and development, communications, staff and volunteer training, and operations and assessment of informal arts programming for neurodiverse audiences. While one might think that the geographic focus might limit the applicability of this rich case study, the text's depth of content, clear writing, scalable approaches, and lessons-learned offer an excellent resource for the public, students, graduate programs, researchers, funders, public schools, and service providers. This book elevates the role of cultural institutions in serving and welcoming neurodiverse audiences. While the content includes an emphasis on those audiences with autistic diagnoses, it is also encompasses audiences with other neurodiverse tendencies. Finally, the authors highlight the unique assets and limitations that are important for managers as they plan for and invest in such programming. Recommended. All readership levels.
Choice Reviews
Success on the Spectrum is full of wisdom, experience, and heart. By showing and telling, the authors embody the DIY spirit, passion, and scrappiness they encourage others to cultivate when creating experiences for neurodiverse publics. This book will inspire you to 'start your own band,' one that champions the idea that what is good for some benefits all.
Laura Evans, PhD; Distinguished Teaching Professor; Director of Art Museum Education Certificate; University of North Texas
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