Women’s Artistic Dissent: Repelling Totalitarianism in Pre-1989 Czechoslovakia, a tribute to Czech women dissidents, focuses on the writer Eda Kriseová and the Surrealist artist and writer Eva Švankmajerová, who carved, through their art and writing, spaces of freedom, resistance, and empathy, within oppressive Communist Czechoslovakia, but also within the male-dominated dissent. Flanagan and Waisserová are uniquely qualified to write this book: transnational educators and writers, they possess a keen understanding of the interplay between art, political repression, and gender. With respect and admiration for their subjects’ commitment to imagination, authenticity, and environmental sustainability, they let Kriseová and Švankmajerová speak for themselves, through fiction and interviews: as much as about them, they write with them. The book’s insightful portrayals of the two women fill a gap in our understanding of dissent and art in Czechoslovakia.

Veronika Tuckerová, Harvard University

The personal is political' was a feminist rallying cry of the late 1960s and 1970s, and this book explores how creative women artists in totalitarian Czechoslovakia experienced the slogan's implications. It is a welcome step in the direction of confronting women as 'enigmas of the dissident movement' by doing justice to their creative and activist legacies.

David Danaher, University of Wisconsin-Madison

Flanagan and Waisserova reveal women’s truth in the Czech dissident artistic milieu. It is a resource for rediscovering overlooked literary and critical discourse and the overall achievements of women’s actions to overcome a totalitarian regime.

Tony Ozuna, Anglo-American University

Women's Artistic Dissent is a revolutionary book. Despite the fact that in the communist countries of the so-called Middle Europe (Mitteleuropa) women have constituted the majority within the groups opposing the regime and their responsibilities in those groups were often the most strenuous, they either gave up their spotlight themselves or were forced to concede their place to men. The merits of women have been marginalised by history (with the word "herstory" being introduced only recently). This book points the spotlight directly to the women of democratic opposition. Most importantly, it does justice to exceptional, talented artists Eda Kriseová and Eva Švankmajerová.

Agnieszka Holland, award-winning director and screenwriter