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Description
The book looks at:
The experience of listening
Rhythm and musical movement
What modernism has meant for musical aesthetics
The relation of music to other 'sound arts'
Improvisation and composition as well as more traditional issues in musical aesthetics such as absolute versus programme music and the question of musical formalism.
Thinkers discussed range from Pythagoras and Plato to Kant, Nietzsche and Adorno. Areas of music covered include classical, popular and traditional music, and jazz. Aesthetics and Music makes an eloquent case for a humanistic, democratic and genuinely aesthetic conception of music and musical understanding. Anyone interested in what contemporary philosophy has to say about music as an art form will find this thought-provoking and highly enjoyable book required reading.
Table of Contents
2. The Concept of Music
3. The Aesthetics of Form, the Aesthetics of Expression, and 'Absolute Music': aesthetics of music in the late eighteenth and nineteenth centuries
Product details
Published | 29 Jun 2007 |
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Format | Ebook (PDF) |
Edition | 1st |
Extent | 258 |
ISBN | 9781441191502 |
Imprint | Continuum |
Series | Bloomsbury Aesthetics |
Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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'A gifted philosopher, music critic and jazz performer, Andy Hamilton has produced a book which leaves neither the philosophy nor the music out. He guides us deftly through the aesthetics of Kant and Adorno without neglecting the reality of music as sound and rhythm, improvisation and composition, showing in an unusually open-minded, lively way - and in philosophical depth - how aesthetic experience is universal and human.' Professor John Skorupski, St Andrews University, UK
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'An innovative, cross-disciplinary contribution to the philosophy of music, weaving Adorno's Critical Theory with Analytic aesthetics.' Professor Max Paddison, Durham University, UK.
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'With a fine eye for argument, for teasing out and testing key assumptions within the philosophy of music, Andy Hamilton's Aesthetics And Music charts a knife-edge course between scholarship, clear and penetrating thinking, and above all sound intuitions.' Stephen Robinson, The Wire, December 2007
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'Aesthetics and Music is a rich and interesting study. Hamilton's approach is innovative ... [the book] should be recommended to anyone interested in the philosophy of music.' Stephen Davies, University of Auckland, Analysis
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'A deeply informed author thinking hard about the musical matters which he considers - with justification - to be the most important... a lively and stimulating contribution to a number of debates.' M.W. Rowe, British Journal of Aesthetics
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'Hamilton has read widely, listened hard and had his own practical engagement with music as a jazz pianist, and there is much to be learned from his argument ... The range of Hamilton's interests, and his familiarity with modern, postmodern, and post-postmodern culture, help to support an argument that is far more interesting in its detail than can be conveyed in a short review. There is a freshness in his approach, and a pleasing disregard for pedantic controversies, that will surely attract new readers to a subject that has not always been as well served by its practitioners as it is served by Hamilton.' Roger Scruton, MIND

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