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Attention Spans
Garrett Stewart, a Reader
Attention Spans
Garrett Stewart, a Reader
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Description
Attention Spans' chronological review of Garrett Stewart's critical approach tracks and maps the evolution of intersecting disciplines from late New Criticism through structuralism, deconstruction, narrative theory (by way of narratography), poetics, and media studies, in which Stewart's has been so persistent and so eloquent a voice. Excerpts from his twenty books are framed by editorial retrospect, then linked by Stewart's own commentary on the variety – and underlying vectors – of his interpretive career across aesthetic forms, from Victorian narrative to recent American fiction, classic celluloid cinema to postfilmic digital effects, inert book sculpture and literary wordplay to the soundscape of singing on screen. Accompanied by a glossary of his many influential coinages, this cornucopia of analyses is also a chronicle of evolving paradigms in the work of intensive reading.
Table of Contents
Inventory as Itinerary / Garrett Stewart
TexTcerpts / Garrett Stewart
I. Dickens as Prompt Text
1 / Trials – and Test Sites
Dickens and the Trials of Imagination (1974)
2 / Death Sentencing and Narrative Parole
Death Sentences: Styling of Dying in British Fiction (1984)
II. Reading In, Reading Out
3 / Literary Graphonics
Reading Voices: Literature and the Phonotext (1990)
4 / Re: Reading Under Address
Dear Reader: The Conscripted Audience in Nineteenth-Century British Fiction (1996)
III. Discipline Bridging
5 / From Imprint to Motion Picture
Between Film and Screen: Modernism's Photo Synthesis (1999)
6 / Pages Painted, Writing Withdrawn
The Look of Reading: Book, Painting, Text (2006)
7 / From Celluloid to Digitime
Framed Time: Toward a Postfilmic Cinema (2007)
IV. Convergences: Mediation Revisited
8 / Mapping the Narrative Substrate
Novel Violence: A Narratography of Victorian Fiction (2009)
9 / Reading Foreclosed/Text Reinvented
Bookwork: Medium to Object to Concept to Art (2011)
10 / The Narrative Optics of Surveillancinema
Closed Circuits: Screening Narrative Surveillance (2015)
V. Medium, Philosophy, Concept
11 / Textual Act as Contract
The Deed of Reading: Literature * Writing * Language * Philosophy (2015)
12 / Material Transference and Medial Merger
Transmedium: Conceptualism 2.0 and the New Object Art (2017)
VI. Reading Style/Styles of Reading
13 / Verbal Expenditures, Narrative Dividents
The Value of Style in Fiction (2018)
14 / The Dickens Page, In and Out Loud
The One, Other, and Only Dickens (2018)
15 / Bookhood in Evolution
Book, Text, Medium: Cross-Sectional Reading for a Digital Age (2020)
VII. Kinetic Textuality
16 / Cinemachination and the Legible Apparatus
Cinemachines: An Essay on Media and Method (2020)
17 / Museum Screens
Cinesthesia: Museum Cinema and the Curated Screen (2021)
18 / Toward a Cinematographic Sentence
The Ways of the Word: Episodes in Verbal Attention (2022)
VIII. Audiovisual Mirrors: Screening Text and Voice
19 / Reflex Reading
The Metanarrative Hall of Mirrors: Reflex Action in Fiction and Film (2022)
20 / The Legible Voice
Streisand: The Mirror of Difference (2023)
IX. Audioptics
X. Coverage
A Dialogue on Critical Conversation
Terms of Use: Coinagse Cashed Out – A Selective Glossary
Timelines: A Topographical Bibliography
Acknowledgments
Contributors
Product details

Published | 25 Jan 2024 |
---|---|
Format | Ebook (PDF) |
Edition | 1st |
Extent | 376 |
ISBN | 9798765102251 |
Imprint | Bloomsbury Academic |
Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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A critic of Garrett Stewart's brilliance and scope deserves a 'Reader,' but this fascinating book is far more than a collection of an author's most salient articles. A 'writing journal' of a teaching career that incorporates brief extracts of important books in the inspiring narrative of an immensely wide-ranging critical practice, Attention Spans engages the major developments of recent criticism. A tour de force.
Jonathan Culler, Class of 1916 Professor Emeritus of English and Comparative Literature, Cornell University, USA
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Garrett Stewart is a multi-media close reader extraordinaire whose answerable style rewards close reading in turn. This selection of excerpts from each of his twenty books is interspersed with his own running commentary, stitching it all together and making his whole career's research and thinking-through seem as though it were all taking place in present time, while remaining full of scrupulous attention to the ways in which his work has evolved. After a dialogue with the editor, full of yet newer directions, this astonishing volume concludes with a glossary of Stewart's coinages.
Paul Fry, William Lampson Professor Emeritus of English, Yale University, USA
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As David LaRocca tells us early in this volume, J Hillis Miller described Garrett Stewart, on the jacket of his second book, as 'more or less sui generis.' This turned out to be a prophetic description of the most wide-ranging and least doctrinaire critic of his generation. It also aptly describes Attention Spans, a book like no other, and one that does not belong to any recognisable genre. In staging a critical rereading of his own work, Stewart offers us an exhilarating history of aesthetic theory since New Criticism, which is also a virtuosic display of fine readerly attention. Continually unsettled, continually restless, it is written in what Stewart himself calls a 'language not quite gelled into the print that transmits it.' To read it is to feel, again and again, the lifted joy of shared thinking.
Peter Boxall, Goldsmiths' Professor of English Literature, University of Oxford, UK