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Mark Taylor-Batty

Categories:

Acting and Performance, Drama and Performance Studies - Other, Gender and Sexuality in Literature, Modernism, North American and Caribbean Literature, Theatre History and Criticism, Theatre Studies, War, Western European Literature

Author of:

Samuel Beckett's Waiting for Godot, The Theatre of Harold Pinter

Series Editor of:

Authenticity in Contemporary Theatre and Performance, Beat Drama, The Contemporary American Monologue, Drag Histories, Herstories and Hairstories, Ecologies of Precarity in Twenty-First Century Theatre, Fiery Temporalities in Theatre and Performance, Howard Barker's Theatre: Wrestling with Catastrophe, Postdramatic Theatre and Form, Robert Lepage / Ex Machina, Ruth Maleczech at Mabou Mines, Social and Political Theatre in 21st-Century Britain, Social Housing in Performance, Watching War on the Twenty-First Century Stage

Anthology Editor of:

The Theatre and its Double

Translator of:

The Theatre and its Double

Biography

Mark Taylor-Batty is Associate Professor of Theatre Studies and Deputy Head of School in the School of English at the University of Leeds, UK. His previous publications include The Theatre of Harold Pinter (Bloomsbury, 2014), About Pinter: The Playwright and the Work (Faber and Faber, 2005), Roger Blin: Collaborations and Methodologies (Peter Lang, 2007) and, he co-authored with his wife, Juliette Taylor-Batty, Samuel Beckett's Waiting for Godot (Continuum, 2009).
Environment: Staging